Robespierre : $b the story of Victorien Sardou's play adapted and novelized under his authoritySardou, Victorien
General
Robespierre : $b the story of Victorien Sardou's play adapted and novelized under his authority
Sardou, Victorien
Robespierre, Maximilien, 1758-1794 -- Fiction
Robespierre had slept in the very room which Rousseau had occupied on
the first floor, and in which were gathered all the furniture and
possessions of the great man, left behind in the haste of removal,
after his famous quarrel with the fair owner of _l'Ermitage_. The
bed was Rousseau's, as were two walnut cabinets and a table of the
same rich wood, the very table on which the philosopher wrote the
first part of _la Nouvelle Hèloïse_; then a small library, a
barometer, and two pictures, one of which, by an English painter,
represented "The Soldier's Fortune," and the other "The Wise and
Foolish Virgins." In these surroundings Robespierre seemed to
breathe more intimately the spirit of the master for whom he had such
an ardent admiration.
Robespierre had passed a sleepless night, judging from his pale,
feverish face and swollen eyelids. Outwardly he was little changed.
Monsieur de Pontivy would have recognised his former secretary in
this man before whom all France trembled. It was the same dapper
figure, spruce and neat as ever, with that nervous, restless manner
which time had but accentuated. This nervousness, apparent in his
whole person, was visible even in his face, which, now deeply marked
with small-pox, twitched and contracted convulsively. The high
cheek-bones and the green, cat-like eyes, shifting about in an uneasy
fashion, added to the unpleasant expression of the whole countenance.
He threw open the three windows of his room, which looked out on the
garden. A whiff of fresh air fanned his face, charged with all the
sweet perfumes of the country. Day had scarcely dawned, and the
whole valley of Montmorency was bathed in pale, uncertain light, like
floating mist. He remained at one of the windows, gazing long and
earnestly out on awakening nature, watching the dawn as it slowly
lifted the veil at the first smiles of morning. Then he seated
himself at the little table prepared for work, with sheets of paper
spread about, as if awaiting the thoughts of which they were to be
the messengers. He slipped his pen in an inkstand ornamented with a
small bust of Rousseau, and commenced.
Public-domain text, read in full here on John Shaqi.
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