Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
General
Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
Ballads, English -- England -- Texts; Outlaws -- Poetry; Robin Hood (Legendary character) -- Poetry; Songs, English -- England -- Texts
The genuineness of this epitaph has been questioned. Dr. Percy,
in the first edition of his “Reliques of Ancient English Poetry”
(1765), says “It must be confessed this epitaph is suspicious,
because in the most ancient poems of Robin Hood there is no mention
of this imaginary earldom.” This reason, however, is by no means
conclusive, the most ancient poem now extant having no pretension
to the antiquity claimed by the epitaph: and indeed the Doctor
himself should seem to have afterward had less confidence in it,
as, in both the subsequent editions, those words are omitted, and
the learned critic merely observes that the epitaph appears to him
suspicious. It will be admitted that the bare suspicion of this
ingenious writer, whose knowledge and judgment of ancient poetry
are so conspicuous and eminent, ought to have considerable weight.
As for the present editor’s part, though he does not pretend to
say that the language of this epitaph is that of Henry the Third’s
time, nor indeed to determine of what age it is, he can perceive
nothing in it from whence one should be led to pronounce it
spurious, _i.e._ that it was never inscribed on the grave-stone
of Robin Hood. That there actually was some inscription upon it
in Thoresby’s time, though then scarce legible, is evident from
his own words: and it should be remembered as well that the last
century was not the era of imposition, as that Dr. Gale was both
too good and too learned a man either to be capable of it himself
or to be liable to it from others.
That industrious chronologist and topographer, as well as
respectable artist and citizen, master Thomas Gent, of York, in
his “List of religious houses,” annexed to “The ancient and modern
state of” that famous city, 1730, 12mo, p. 234, informs us that
he had been told “that his [Robin Hood’s] tombstone, having his
effigy thereon, was order’d, not many years ago, by a certain
knight to be placed as a harth-stone in his great hall. When it
was laid overnight, the next morning it was ‘surprizingly’ removed
[on or to] one side; and {xlviii} so three times it was laid, and
as successively turned aside. The knight, thinking he had done
wrong to have brought it thither, order’d it should be drawn back
again; which was performed by a pair of oxen and four horses, when
twice the number could scarce do it before. But as this,” adds the
sagacious writer, “is a story only, it is left to the reader to
judge at pleasure.” N.B.—This is the second instance of a miracle
wrought in favour of our hero!
Public-domain text, read in full here on John Shaqi.
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