Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life. — John Shaqi
Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
General
Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
Ballads, English -- England -- Texts; Outlaws -- Poetry; Robin Hood (Legendary character) -- Poetry; Songs, English -- England -- Texts
_Fri._ And if he doe, what can we doe to that?
I promis’d him a play of Robin Hoode,
His honorable life, in merry Sherewod;
His majestie himselfe survaid the plot,
And bad me boldly write it, it was good.
For merry jeasts, they have bene showne before
As how the frier fell into the well,
For love of Jinny, that faire bonny bell:
How Greeneleafe rob’d the shrieve of Notingham,
And other mirthful matter, full of game.”
“Enter Warman banished.” He laments his fall, and applies to a
cousin, on whom he had bestowed large possessions, for relief; but
receives nothing, except reproaches for his treachery to his noble
master. The jailor of Nottingham, who was indebted to him for his
place, refuses him even a scrap of his dog’s meat, and reviles
him in the severest terms. Good-wife Tomson, whose husband he had
delivered from death, to his great joy, promises him a caudle,
but {lx} fetches him a halter,[45] in which he is about to hang
himself, but is prevented by Fitzwater, and some of Robin Hood’s
men, who crack a number of jokes upon him; Robin puts an end to
their mockery, and proffers him comfort and favour. Then enters
Frier Tucke, with an account of Sir Doncaster and the prior being
stripped and wounded in their way to Bawtrey: Robin, out of love
to his uncle, hastens to the place. After this “Enter Prince John,
solus, in green, bowe and arrowes.
“_John._ Why this is somewhat like, now may I sing,
As did the Wakefield pinder in his note;
At Michaelmas commeth my covenant out,
My master gives me my fee:
Then Robin Ile weare thy Kendall greene,
And wend to the greenewodde with thee.”[46]
He assumes the name of Woodnet, and is detected by Scathlocke and
Frier Tucke. The prince and Scathlocke fight, Scathelocke grows
weary, and the frier takes his place. Marion enters, and perceiving
the frier, parts the combatants. Robin enters, and John submits
to him. Much enters, running, with information of the approach of
“the king and twelve and twenty score of horses.” Robin places his
people in order. The trumpets sound, the king and his train enter,
a general pardon ensues, and the king confirms the love of Robin
and Matilda. Thus the play concludes, Skelton promising the second
part, and acquainting the audience of what it should consist.
The second part, or death of Robert earle of Huntington, is
a pursuit of the same story. The scene, so far as our hero
is concerned, lyes in Sherwood. A few extracts may not be
unacceptable. {lxi}
“Sc. iiii. Winde hornes. Enter king, queene, &c. Frier Tuck
carrying a stag’s head, dauncing.” The frier has been sent for to
read the following incription upon a copper ring round the stag’s
neck:
“When Harold Hare-foote raigned king,
About my necke he put this ring.”
The king orders “head, ring, and all” to be sent to Nottingham
Castle, to be kept for monuments. Fitzwater tells him he has heard
“an olde tale,”
Public-domain text, read in full here on John Shaqi.
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