Her mother had been a de Tracy of Stoke Revel whose connection with
that ancient family had ceased abruptly when she met an American
architect while traveling on the Continent, married him out of hand
and went to his native New England with him. The de Tracys had no
opinion of America, its government, its institutions, its customs, or
its people, and when they learned that Cynthia de Tracy had not only
allied herself with this undesirable nation, but had selected a native
by the name of Harold Bean, they regarded the incident of the marriage
as closed.
The union had been a happy one, though the de Tracys of Stoke Revel
had always regarded the unfortunately named architect more as a
vegetable than a human being; and the daughter of the marriage was the
young Mrs. Loring now driving in the station fly to the home of her
mother's people.
Her father had died when she was fifteen and her mother followed three
years after, leaving her with a respectable fortune but no relations;
the entire family (happily, Mrs. de Tracy would have said) having died
out with Harold. Robinette was unspeakably lonely, even with her
hundred friends, for there was enough English blood in her to make her
cry out inwardly for kith and kin, for family ties, for all the dear
familiar backgrounds of hearth and home. Had a welcoming hand been
stretched across the sea she would have flown at once to make
acquaintance with the de Tracys, cold and indifferent as they had
always been, but no bidding ever came, and the picture of the Manor
House of Stoke Revel on her dressing-table was the only reminder of
her connection with that ancient and honourable house.
It is not difficult to see, under the circumstances, how the
nineteen-year-old Robinette became the wife of the first man in whom
she inspired a serious passion.
It is incredible that women should confuse the passive process of
being loved with the active process of loving, but it occurs
nevertheless, and Robinette drifted into marriage with the vaguest
possible notions of what it meant; feeling and knowing that she needed
something, and supposing it must be a husband. It was better fortune,
perhaps, than she merited, and equally kind for both parties, that her
husband died before either of them realized the tragic mistake. David
Loring was too absorbed in his own emotions to note the absence of
full response on the part of his wife; Robinette was too much a child
and too inexperienced to be conscious of her own lack of feeling.
It was death, not life, that opened her eyes. When David Loring lay in
his coffin, Robinette's heart was suddenly seized with growing pains.
Her vision widened; words and promises took on a new and larger
meaning, and she became a serious woman for her years, although there
was an ineradicable gaiety of spirit in her that needed only sunshine
to make it the dominant note of her nature.
Public-domain text, read in full here on John Shaqi.
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