Rowland promptly remarked that this was obvious. He saw that the lady’s
irritated nerves demanded comfort from flattering reminiscence, and
he assumed designedly the attitude of a zealous auditor. She began
to retail her efforts, her hopes, her dreams, her presentiments, her
disappointments, in the cause of her daughter’s matrimonial fortunes. It
was a long story, and while it was being unfolded, the prince continued
to pass to and fro, stiffly and solemnly, like a pendulum marking
the time allowed for the young lady to come to her senses. Mrs. Light
evidently, at an early period, had gathered her maternal hopes into
a sacred sheaf, which she said her prayers and burnt incense to, and
treated like a sort of fetish. They had been her religion; she had none
other, and she performed her devotions bravely and cheerily, in the
light of day. The poor old fetish had been so caressed and manipulated,
so thrust in and out of its niche, so passed from hand to hand, so
dressed and undressed, so mumbled and fumbled over, that it had lost by
this time much of its early freshness, and seemed a rather battered
and disfeatured divinity. But it was still brought forth in moments of
trouble to have its tinseled petticoat twisted about and be set up
on its altar. Rowland observed that Mrs. Light had a genuine maternal
conscience; she considered that she had been performing a sacred duty in
bringing up Christina to set her cap for a prince, and when the future
looked dark, she found consolation in thinking that destiny could never
have the heart to deal a blow at so deserving a person. This conscience
upside down presented to Rowland’s fancy a real physical image; he was
on the point, half a dozen times, of bursting out laughing.
Public-domain text, read in full here on John Shaqi.
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