while a host in reduced circumstances pointed out the lovely drawing
of a hand. But he imparted none of these visions to Cecilia, and he
suddenly swept them away with the declaration that he was of course an
idle, useless creature, and that he would probably be even more so in
Europe than at home. “The only thing is,” he said, “that there I shall
seem to be doing something. I shall be better entertained, and shall be
therefore, I suppose, in a better humor with life. You may say that that
is just the humor a useless man should keep out of. He should cultivate
discontentment. I did a good many things when I was in Europe before,
but I did not spend a winter in Rome. Every one assures me that this is
a peculiar refinement of bliss; most people talk about Rome in the same
way. It is evidently only a sort of idealized form of loafing: a passive
life in Rome, thanks to the number and the quality of one’s impressions,
takes on a very respectable likeness to activity. It is still
lotus-eating, only you sit down at table, and the lotuses are served up
on rococo china. It ‘s all very well, but I have a distinct prevision of
this--that if Roman life does n’t do something substantial to make you
happier, it increases tenfold your liability to moral misery. It seems
to me a rash thing for a sensitive soul deliberately to cultivate its
sensibilities by rambling too often among the ruins of the Palatine, or
riding too often in the shadow of the aqueducts. In such recreations the
chords of feeling grow tense, and after-life, to spare your intellectual
nerves, must play upon them with a touch as dainty as the tread of
Mignon when she danced her egg-dance.”
“I should have said, my dear Rowland,” said Cecilia, with a laugh, “that
your nerves were tough, that your eggs were hard!”
“That being stupid, you mean, I might be happy? Upon my word I am not.
I am clever enough to want more than I ‘ve got. I am tired of myself, my
own thoughts, my own affairs, my own eternal company. True happiness,
we are told, consists in getting out of one’s self; but the point is not
only to get out--you must stay out; and to stay out you must have some
absorbing errand. Unfortunately, I ‘ve got no errand, and nobody will
trust me with one. I want to care for something, or for some one. And I
want to care with a certain ardor; even, if you can believe it, with
a certain passion. I can’t just now feel ardent and passionate about a
hospital or a dormitory. Do you know I sometimes think that I ‘m a man
of genius, half finished? The genius has been left out, the faculty of
expression is wanting; but the need for expression remains, and I spend
my days groping for the latch of a closed door.”
“What an immense number of words,” said Cecilia after a pause, “to say
you want to fall in love! I ‘ve no doubt you have as good a genius for
that as any one, if you would only trust it.”
Public-domain text, read in full here on John Shaqi.
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