form or other, he had taken up the glove and set his lance in rest.
The Adam was put into marble, and all the world came to see it. Of the
criticisms passed upon it this history undertakes to offer no record;
over many of them the two young men had a daily laugh for a month, and
certain of the formulas of the connoisseurs, restrictive or indulgent,
furnished Roderick with a permanent supply of humorous catch-words. But
people enough spoke flattering good-sense to make Roderick feel as if
he were already half famous. The statue passed formally into Rowland’s
possession, and was paid for as if an illustrious name had been chiseled
on the pedestal. Poor Roderick owed every franc of the money. It was not
for this, however, but because he was so gloriously in the mood, that,
denying himself all breathing-time, on the same day he had given the
last touch to the Adam, he began to shape the rough contour of an Eve.
This went forward with equal rapidity and success. Roderick lost his
temper, time and again, with his models, who offered but a gross,
degenerate image of his splendid ideal; but his ideal, as he assured
Rowland, became gradually such a fixed, vivid presence, that he had only
to shut his eyes to behold a creature far more to his purpose than
the poor girl who stood posturing at forty sous an hour. The Eve was
finished in a month, and the feat was extraordinary, as well as the
statue, which represented an admirably beautiful woman. When the spring
began to muffle the rugged old city with its clambering festoons, it
seemed to him that he had done a handsome winter’s work and had fairly
earned a holiday. He took a liberal one, and lounged away the lovely
Roman May, doing nothing. He looked very contented; with himself,
perhaps, at times, a trifle too obviously. But who could have said
without good reason? He was “flushed with triumph;” this classic
phrase portrayed him, to Rowland’s sense. He would lose himself in long
reveries, and emerge from them with a quickened smile and a heightened
color. Rowland grudged him none of his smiles, and took an extreme
satisfaction in his two statues. He had the Adam and the Eve transported
to his own apartment, and one warm evening in May he gave a little
dinner in honor of the artist. It was small, but Rowland had meant it
should be very agreeably composed. He thought over his friends and chose
four. They were all persons with whom he lived in a certain intimacy.
Public-domain text, read in full here on John Shaqi.
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