His huntsmen afterwards arrived, following the track of the horse, and knowing the marvel which had occurred, they prostrated themselves before the Image of Our Lady, adding with their astonishment to the devotion of Dom Fuas, who, hearing that the stag had not been seen, and that the dogs had found no track of him in any part, though one had been represented before him to draw him on, understood that it was an illusion of the Devil, seeking by that means to make him perish miserably. All these considerations enhanced the greatness of the miracle, and the obligations of Dom Fuas, who, tarrying there some days, made workmen come from Leyria and Porto de Mos, to make another hermitage, in which the Lady should be more venerated; and as they were demolishing the first, they found placed between the stones of the altar a little box of ivory, and within it relicks of St. Bras, St. Bartholomew, and other saints, with a parchment, wherein a relation was given of how, and at what time those relicks and the image were brought there, according as has been aforesaid. A vaulted chapel was soon made, after a good form for times so ancient, over the very place where the Lady had been; and to the end that it might be seen from all sides, they left it open with four arches, which in process of time were closed, to prevent the damage which the rains and storms did within the chapel, and in this manner it remains in our days. The Lady remained in her place, being soon known and visited by the faithful, who flocked there upon the fame of her appearance: the valiant and holy king D. Affonso Henriquez, being one of the first whom Dom Fuas advised of what had happened, and he, accompanied with the great persons of his court, and with his son, D. Sancho, came to visit the Image of the Lady, and see with his own eyes the marks of so rare a miracle as that which had taken place; and with his consent, D. Fuas made a donation to the Lady of a certain quantity of land round about, which was at that time a wild thicket, and for the greater part is so still, being well nigh all wild sands incapable of giving fruit, and would produce nothing more than heath and some wild pine-trees. And because it establishes the truth of all that I have said, and relates in its own manner the history of the Image of the Lady, I will place it here in the form in which I saw it in the Record Room at Alcobaça, preserving throughout the Latin and the barbarism of its composition; which is as follows:—