Roderick, the last of the Goths : $b A tragic poemSouthey, Robert
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Roderick, the last of the Goths : $b A tragic poem
Southey, Robert
Roderick, King of the Visigoths, -711? -- Poetry
Beaming with virtue inaccessible
Stood Egilona; for her lord she lived,
And for the heavens that raised her sphere so high:
All thoughts were on her—all beside her own.
Negligent as the blossoms of the field,
Arrayed in candour and simplicity,
Before her path she heard the streams of joy
Murmur her name in all their cadences,
Saw them in every scene, in light, in shade,
Reflect her image; but acknowledged them
Hers most complete when flowing from her most.
All things in want of her, herself of none,
Pomp and dominion lay beneath her feet
Unfelt and unregarded: now behold
The earthly passions war against the heavenly!
Pride against love; ambition and revenge
Against devotion and compliancy—
Her glorious beams adversity hath blunted,
And coming nearer to our quiet view,
The original clay of coarse mortality
Hardens and flaws around her.
* * * * *
_One day of bitter and severe delight._—VI. p. 60.
I have ventured to borrow this expression from the tragedy of Count
Julian. Nothing can be finer than the passage in which it occurs.
_Abdalazis._ Thou lovest still thy country?
_Julian._ Abdalazis,
All men with human feelings love their country.
Not the high-born or wealthy man alone,
Who looks upon his children, each one led
By its gay hand-maid, from the high alcove,
And hears them once a-day; not only he
Who hath forgotten, when his guest inquires
The name of some far village all his own;
Whose rivers bound the province, and whose hills
Touch the last cloud upon the level sky:
No; better men still better love their country.
’Tis the old mansion of their earliest friends,
The chapel of their first and best devotions;
When violence, or perfidy, invades,
Or when unworthy lords hold wassail there,
And wiser heads are drooping round its moats,
At last they fix their steady and stiff eye
There, there alone—stand while the trumpet blows,
And view the hostile flames above its towers
Spire, with a bitter and severe delight.
* * * * *
_Restoring in thy native line, O Prince,
The sceptre to the Spaniard._—VII. p. 71.
This was a favourite opinion of Garibays, himself a Biscayan, but he has
little better proof for it than the fact, that Gothic names disappeared
with Roderick, and that Pelayo and his successors drew their nomenclature
from a different stock. He says, indeed, that ancient writings are not
wanting to support his opinion. Some rude commentator has written against
this assertion in the margin of my copy, _miente Garibay_; and I am
afraid the commentator is the truer man of the two.
Public-domain text, read in full here on John Shaqi.
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