Roderick, the last of the Goths : $b A tragic poemSouthey, Robert
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Roderick, the last of the Goths : $b A tragic poem
Southey, Robert
Roderick, King of the Visigoths, -711? -- Poetry
Leaving these captive scenes behind, he crost
Cavado’s silver current, and the banks
Of Lima, through whose groves in after years,
Mournful yet sweet, Diogo’s amorous lute
Prolong’d its tuneful echoes. But when now
Beyond Arnoya’s tributary tide,
He came where Minho roll’d its ampler stream
By Auria’s ancient walls, fresh horrors met
His startled view; for prostrate in the dust
Those walls were laid, and towers and temples stood
Tottering in frightful ruins, as the flame
Had left them black and bare; and through the streets,
All with the recent wreck of war bestrewn,
Helmet and turban, scymitar and sword,
Christian and Moor in death promiscuous lay
Each where they fell; and blood-flakes, parch’d and crack’d
Like the dry slime of some receding flood;
And half-burnt bodies, which allured from far
The wolf and raven, and to impious food
Tempted the houseless dog.
A thrilling pang,
A sweat like death, a sickness of the soul,
Came over Roderick. Soon they pass’d away,
And admiration in their stead arose,
Stern joy, and inextinguishable hope,
With wrath, and hate, and sacred vengeance now
Indissolubly link’d. O valiant race,
O people excellently brave, he cried,
True Goths ye fell, and faithful to the last;
Though overpower’d, triumphant, and in death
Unconquer’d! Holy be your memory!
Bless’d and glorious now and evermore
Be your heroic names!... Led by the sound,
As thus he cried aloud, a woman came
Toward him from the ruins. For the love
Of Christ, she said, lend me a little while
Thy charitable help!... Her words, her voice,
Her look, more horror to his heart convey’d
Than all the havoc round: for though she spake
With the calm utterance of despair, in tones
Deep-breathed and low, yet never sweeter voice
Pour’d forth its hymns in ecstasy to Heaven.
Her hands were bloody, and her garments stain’d
With blood, her face with blood and dust defiled.
Beauty and youth, and grace and majesty,
Had every charm of form and feature given;
But now upon her rigid countenance
Severest anguish set a fixedness
Ghastlier than death.
She led him through the streets
A little way along, where four low walls,
Heapt rudely from the ruins round, enclosed
A narrow space: and there upon the ground
Four bodies, decently composed, were laid,
Though horrid all with wounds and clotted gore;
A venerable ancient, by his side
A comely matron, for whose middle age,
(If ruthless slaughter had not intervened,)
Nature it seem’d, and gentle Time, might well
Have many a calm declining year in store;
The third an armëd warrior, on his breast
An infant, over whom his arms were cross’d.
There, ... with firm eye and steady countenance,
Unfaltering, she addrest him, ... there they lie,
Child, Husband, Parents, ... Adosinda’s all!
I could not break the earth with these poor hands
Nor other tomb provide, ...
Public-domain text, read in full here on John Shaqi.
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