Rodin: The Man and His Art, with Leaves from His Note-book — John Shaqi
Rodin: The Man and His Art, with Leaves from His Note-bookCladel, Judith
General
Rodin: The Man and His Art, with Leaves from His Note-book
Cladel, Judith
Rodin, Auguste, 1840-1917
At that time he was executing for a great decorator some ornamental
motives destined for one of the buildings of the Universal Exposition
of 1878. The sculptor, Alfred Boucher, a pupil of Paul Dubois, came
one day on a business errand to see the decorator. In the studios he
noticed Rodin at work on the model of a group of children intended for
a cartouche. Boucher, who knew about the accusation that hung over
him, observed him with the liveliest interest. He witnessed the rapid,
skilful, amazingly dexterous execution producing under his very eye
a tender efflorescence of childish flesh on the firm and perfectly
constructed little bodies. _And Rodin was working without models!_
Alfred Boucher was a product of the Ecole; he had taken the _grand prix
de Rome_; he was ten years younger than Rodin; but he was an honest man;
he hastened to relate to his master, Paul Dubois, what he had seen. The
creator of the "Florentine Singer" and "Charity" in his turn wished to
see things for himself. With Claude Chapu he went to the decorator's
and both of them decided then and there that the hand that molded so
skilfully from memory the figures of the cherubs was certainly capable,
in its extraordinary knowledge of human anatomy, of having executed that
of "The Age of Bronze." Thereupon they convinced their confrères and
decided to write the under-secretary of state a solemn letter in which
all of them, answering for the good faith of Rodin, declared that he
had made a beautiful statue and that he would become a great sculptor.
The letter was signed by Carrier-Belleuse, Paul Dubois, Chapu, Thomas
Delaplanche, Chaplin Falguière.
[Illustration: BUST OF THE COUNTESS OF W----.]
This tempered considerably the rancor of the artist.
It is a strange fact that for years he underrated this statue. In 1899
he gave his first great exhibition of all his work. It was to the Maison
d'Art of Brussels that the honor of this project was due, and it was
carried out in a style and with a good taste which no later exhibition
of the master has surpassed, or even attained.
Public-domain text, read in full here on John Shaqi.
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