Families -- Fiction; Theater -- Great Britain -- Fiction
I was so disappointed to miss you during your stay in this dreary
place, but I was away on a visit to some cousins in Macclesfield.
I wrote to you when Mrs. Fuller died, but I was afraid as I never
heard from you that the letter failed to reach you. I sent it to
the address from which you wrote last April about your little girl.
Mrs. Fuller had just had a second stroke, and I’m not sure that she
understood what I was reading to her. Still, I fancied that I noticed
an expression in her eyes that looked as if she had understood and
was glad. She was really unconscious though until she died in May
just before Mr. Caleb Fuller was married. I miss her dreadfully, and
Brigham seems duller every day. You are lucky to be on the stage and
able to travel about from one place to another. Life here is simply
beastly. I’m trying to get a place as secretary to somebody and
have been working hard at typewriting and shorthand. I hope I shall
succeed. I hate Brigham more every moment of the day. I do hope that
we shall meet somewhere again. Wishing you all good luck.
With kind regards. I am,
Yours sincerely,
Emily Young.
Nancy smiled when she read of the envy her career inspired, smiled when
she thought of Blackburn, Bury, Bolton, St. Helens, Oldham, Rochdale,
Preston, Wigan, Warrington, Widnes, Halifax, Huddersfield, Hartlepool,
Gateshead, Sunderland, and South Shields.
The following Sunday the _Lights of Paris_ company found themselves
in Warrington, and after Benediction at a little tin mission-church
Nancy saw the priest and arranged for Masses to be said for Letizia’s
great-grandmother. It was not so much the spiritual satisfaction she
derived from the fulfilment of this pious duty as the feeling that
somehow or other Masses said in this tin church for the repose of that
strange old woman’s soul would express her personality in the immense
void of eternity as effectively as on earth she had expressed herself
with those vermilion cushions and Venetian mirrors. She had defied in
her own creative world the overwhelming nonentity of Lebanon House,
just as on the walls of her room Giorgione’s “Pastorale” had defied the
meanness of contemporary existence, prevailing with colour against time
itself. Now let beauty and compassion rise from the smoke of Warrington
to sustain her soul.
Public-domain text, read in full here on John Shaqi.
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