Families -- Fiction; Theater -- Great Britain -- Fiction
Dawn, a lucid primrose dawn, was bright beyond the towers of Lambeth
Palace when the hackney-coach with Madame Oriano, Letizia, and Caleb
went jogging homeward over Westminster Bridge. Even now, though Letizia
had fallen deliciously asleep on his shoulder, Caleb was not at peace,
for the semioctagonal turrets which were set at intervals along the
parapet to serve as refuges for the homeless, reminded him of the
alcoves at “Neptune’s Grotto,” and his mind was again tormented by the
imagination of her behaviour that night. She reeked too, of wine, in
this fresh morning air. He shook her roughly:
“Wake up! We’re nearly home.”
Madame Oriano was snoring on the opposite seat.
“Why don’t you poke mamma like that?” Letizia cried out resentfully.
An impulse to crush her to his heart surged over Caleb, but he beat
off the temptation, panting between desire of her and fear for himself.
Kisses would forge no chain to bind this wanton, and he, should he
once yield to kissing her, would be led henceforth by a Delilah. The
hackney-coach jogged on into the Westminster Road.
Madame Oriano’s factory consisted of the unused rooms in an ordinary
York Street dwelling-house. Special precautions to isolate the
dangerous manufacture were practically unknown at this date. All
firework-making by an Act of Dutch William was still illegal, and from
time to time prosecutions of pyrotechnists were set on foot at the
instigation of the magistrates when the boys of a neighbourhood became
too great a nuisance on the Fifth of November. Inasmuch, however, as
firework displays were a feature of coronations, peace declarations,
births of royal heirs, and other occasions of public rejoicing, the
Law adopted then as ambiguous an attitude as it does now in this early
twentieth century, toward betting. Until Caleb arrived in London from
the Cheshire town where he had been born and bred, Madame Oriano
produced her fireworks in fits and starts of inventive brilliance that
were symbolical of the finished product. Most of her workmen were
habitual drunkards. No kind of attempt was made to run the business
side with any financial method. From time to time the proprietress put
a card in the window advertising her need for an accountant. Clerks
came and clerks went until she began to look on the whole class as no
better than predatory nomads. It was in answer to one of these cards in
her window that Caleb presented himself. His conscience troubled him at
first when he found with what mountebank affairs firework-making was
likely to bring him into contact, but he was seized by a missionary
fervour and began to devote all his energy to making the business
respectable. Only John Gumm, the chief firer, managed to survive
Caleb’s cleansing zeal. The rest of the drunken workmen were sacked
one after another, and their places taken wherever it was possible
by young lads and girls that Caleb procured from the poorhouse. The
long hours and bad food he inflicted upon these apprentices seemed to
Public-domain text, read in full here on John Shaqi.
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