Families -- Fiction; Theater -- Great Britain -- Fiction
Had there been a knife in his hand, he might have cut
Letizia’s throat, such an intolerable loathing of her beauty seized
him. He rushed madly past the open door, and a moment or two afterwards
he stood in the garret, surveying with hate the sleeping forms of the
apprentices. A sunbeam glinting through the broken lattice of the
dormer lit up the four flushed faces, spangled the hair of the youngest
and fairest, and for Caleb pointed at the spectacle of brazen sloth.
“Get up, you charity brats,” he shouted, pulling off the dirty
coverlet. “Get up and work, or I’ll report you to the overseers for
incorrigibles.”
The children sat up in bed dazed by this sudden awakening.
“Don’t loll there, rubbing your eyes and staring at me,” Caleb snarled.
“If you aren’t downstairs and hard at work on those composition stars
in five minutes, I’ll see what a good flogging will do for you.”
From the boys’ garret Caleb went across to visit the girls’.
“Get down to your scissors and paste, you lazy hussies,” he bellowed in
the doorway.
The little girls, the eldest of whom was hardly twelve, sat up in a
huddle of terror. The shift of the youngest, who might be ten, was torn
so that her bare shoulder protruded to affront Caleb’s gaze. He strode
into the room and struck the offending few inches of skin and bone.
“Will nothing teach you modesty?” he gibbered. “Aren’t you afraid of
burning in Hell for your wickedness? Shame on you, I say. Have you no
needle and thread, Amelia Diggle? You ought to be whipped, and I hope
Madame will whip you well. Now stop that blubbering and dress yourself,
and in five minutes let me find you all hard at work.”
Caleb retired to his own bedroom, where after a miserly use of soap
and water he changed out of his rusty black evening clothes into the
drab of daily life. He was then able to bend down and say his prayers,
partly because the drab breeches were not as tight as the black
pantaloons and partly because they did not show the dust so easily.
In contemplating Caleb while he is kneeling to ask his savage deity to
give him Letizia and to bless his discovery of chlorate of potash as a
colour intensifier and to fructify his savings and to visit His wrath
upon all unbelievers, one may feel that perhaps it was being unduly
sentimental last night, a trifle wrought upon by music and starshine
and coloured lamps, to wish that this tale might remain in the year of
grace 1829.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account