Families -- Fiction; Theater -- Great Britain -- Fiction
There were tears in her big deep-blue eyes, the tears that always came
to them when she spoke of Bram, and flashing tears of exasperation
as well, at being unable to defeat her companion’s cynicism, for all
his observations seemed to her to be the fruit of a detestable and
worldly-wise cynicism, the observations of a man who has never known
what it was to suffer or to lose anything in the battle of life.
“Forgive me if I spoke thoughtlessly,” said Kenrick. “I get carried
away by my tongue whenever I go to an opera. Operas stimulate me. They
are the _reductio ad absurdum_ of art. I seem always to get down to
the bedrock of the æsthetic impulse at the opera. We are deluded by
a tragedy of Æschylus into supposing that art is something greater
than it is, something more than a sublimation of childhood’s games,
something comparable in its importance to science. In opera we see
what a joke art really is. We know that in the scroll of eternity the
bottle-washer of a great chemist is a more conspicuous minuscule than
the greatest artist who ever shall be.”
“I think I’m too tired to listen to you any longer,” Nancy said. “I
really don’t understand anything you’re talking about now, and even if
I did I feel sure I wouldn’t agree with you.”
Kenrick laughed.
“I plead guilty to being a chatterbox to-night. But it was partly your
fault. You shouldn’t have sat there looking as if you were listening
with such intelligence. But let’s leave generalisations and come to
particulars. Gambone says a little holiday will do you good.”
“I don’t believe you,” Nancy laughed. “Maestro Gambone never indulged
in theories about his pupils’ well-being. I simply don’t believe you.”
“Yes, really he did. I asked him if he did not think that you would be
all the better for a short rest, and he agreed with me. Now, why don’t
you come to Sorrento with me and see in this New Year that is going to
be your _annus mirabilis_?”
Nancy looked at him quickly.
“You’re thinking of the proprieties? There are no proprieties at
Sorrento. You want a change of air. I promise not to talk about art.
We’ll just take some good walks. Now don’t be missish. Treat me as a
friend.”
Yet Nancy still hesitated to accept this invitation. She had no reason
that she could express to herself, still less put into words. It was
merely an irrational presentiment that she should regret going to
Sorrento.
“Why don’t you answer?” he pressed.
“I was only wondering if it was wise to interrupt my lessons,” she told
him lamely.
“But you wouldn’t lose more than a couple. We shan’t be away more than
five days. I’ve got to be back in London by the fifth of January.”
“All right. I’d really love to come if Gambone won’t think I’m being
lazy.”
Kenrick drove her back to the Via Virgilio, and next morning they took
the boat for Sorrento.
Public-domain text, read in full here on John Shaqi.
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