Families -- Fiction; Theater -- Great Britain -- Fiction
However, in 1829 “Neptune’s Grotto” still remained much as it had
been for over a century. The house of mellow red brick was covered
with lattice-work, which on this warm July evening was all fragrant
and ablow with climbing roses. Only the box trees had changed the
pattern of their topiary. In place of earlier warriors or statesmen you
would have found Lord Nelson and the Duke of Wellington at this date,
the general more freshly trimmed than the admiral, but likely to go
unpruned in the years of his unpopularity that were coming. His sacred
Majesty King George III had been allowed to sprout into the rounder
bulk of his sacred Majesty King George IV, but the new portrait was
hardly more attractive than the blowsy original. The garden paths were
bordered with stocks and hollyhocks. There were bowling-greens and
fishponds, and a dark alley in emulation of the notorious dark alley
of Vauxhall. Most of these amenities, however, had been made familiar
by a score of other pleasure-gardens all over London. What gave
“Neptune’s Grotto” its peculiar charm was the wide green lawn running
down to the edge of the great reservoir. In the middle of this was the
grotto itself, under the ferny arches of which an orchestra of Tritons
languorously invited the little world of pleasure to the waltz, or more
energetically commanded it to the gallopade. The firework platform was
built out over the water on piles; and the lawn was surrounded on three
sides by small alcoves lined with oyster shells, in some of which the
lightest footstep on a concealed mechanism would cause to spring up
a dolphin, or a mermaid, a harlequin or a Mother Shipton, startling
intruders for the maiden who first encountered them, so startling that
she would usually fling herself into the arms of the beau in escort and
require to be restored with various liquors much to the satisfaction of
Mr. Seedwell, the owner of the gardens.
Public-domain text, read in full here on John Shaqi.
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