Families -- Fiction; Theater -- Great Britain -- Fiction
Caleb groaned within himself. Letizia’s father was as mythical and as
many-sided as Proteus. Italian prince, English nobleman, play-actor,
ballet-master, acrobat, with as many aliases as a thief, he was
whatever Madame chose he should be to suit her immediate argument.
Nobody knew his real name or his real profession. Once, when Caleb had
remonstrated with her for being apparently willing to sell Letizia to a
rich and snivelling old rake, she had actually dared to argue that she
was better capable of guarding her daughter’s virtue than anybody else
because the father of her had been a cardinal. Caleb, who was sick with
love for Letizia and sick with hate for Popery, was near losing his
reason. Luckily, however, the old suitor fell into a hopeless palsy,
and since then Madame’s financial affairs had prospered sufficiently
to make her independent of Letizia’s cash value. That her affairs had
prospered was largely due to Caleb himself, who, entering her service
as a clerk when he was hardly nineteen, had lost no time in gathering
into his own plump white hands the tangled skeins of the business so
that he might unravel them at his own convenience without ever again
letting them go.
Madame Oriano had been glad enough to put the financial side of the
business in Caleb’s hands, for, having inherited from her father,
Padua’s chief artist in pyrotechny, a genuine passion for inventing
new effects, she devoted herself to these with renewed interest, an
interest moreover that was no longer liable to be interrupted by
amours. She had grown gaunt and her temper, never of the sweetest,
had long made her an impossible mistress for any man however young
he might be. At the age of sixteen she had eloped from her father’s
house in Padua with an English adventurer. After a year of doubtful
bliss he had left her stranded in a Soho garret with a cageful of
love-birds and twenty pairs of silk stockings—he had intended these
as a present for the schoolgirl he was planning to abduct, but in the
confusion of escaping from his old sweetheart he had left them behind
him. Maria Oriano entered upon a period of fortune-telling, then went
into partnership with an Italian pyrotechnist to whom with intervals
of amorous escapades she remained loyal for ten years, in fact till he
died, after which she carried on the business in her own name. Letizia
was born when her mother was approaching forty, and since neither
Letizia nor anybody else ever discovered who the father was, it may
safely be assumed that Madame really did not know herself which of her
lovers might be congratulated. She had a dozen in tow about this time.
No solution of the mystery had ever been provided by Letizia herself,
who now, at seventeen, was the image of her own mother when she, a
year younger, ran away from Padua, a dark and slim and supple and
lustrous-eyed young termagant.
Public-domain text, read in full here on John Shaqi.
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