“No matter, your own soft vowels are in more request here. The dress I
told you of is now come,--my servant will give it to you; so, be ready
with your guitar, if the ladies wish for it, this evening.”
Giovanni bowed respectfully, and went on with his work, and soon after
Linton strolled into the garden to muse over the late scene.
Had any one been there to mark the signs of triumphant elation on his
features, they would have seen the man in all the sincerity of his bold,
bad heart. His success was perfect. Knowing well the proud nature of
the young, high-spirited woman, thoroughly acquainted with her impatient
temper and haughty character, he rightly foresaw that to tell her she
had become the subject of a calumny was to rouse her pride to confront
it openly. To whisper that the world would not admit of this or that,
was to make her brave that world, or sink under the effort.
To sting her to such resistance was his wily game, and who knew better
how to play it? The insinuated sneers at the class to which she had once
belonged, as one not “patented” to assume the vices of their betters,
was a deep and most telling hit; and he saw, when they separated, that
her mind was made up, at any cost and every risk, to live down the
slander by utter contempt of it Linton asked for no more. “Let
her,” said he to himself, “but enter the lists with the world for an
adversary! I 'll give her all the benefits of the best motives,--as much
purity of heart, and so forth, as she cares for; but, 'I 'll name the
winner,' after all.”
Too true. The worthy people who fancy that an innate honesty of purpose
can compensate for all the breaches of conventional use, are like the
volunteers of an army who refuse to wear its uniform, and are as often
picked down by their allies as by their enemies.
CHAPTER III. A PARTIAL RECOVERY AND A RELAPSE
Such a concourse ne'er was seen
Of coaches, noddies, cars, and jingles,
“Chars-a-bancs,” to hold sixteen,
And “sulkies,” meant to carry singles.
The Pic-nic: A Lay.
It is an old remark that nothing is so stupid as love-letters; and,
pretty much in the same spirit, we may affirm that there are few
duller topics than festivities. The scenes in which the actor is most
interested are, out of compensation, perhaps, those least worthy
to record; the very inability of description to render them is
disheartening too. One must eternally resort to the effects produced, as
evidences of the cause, just as, when we would characterize a climate,
we find ourselves obliged to fall back upon the vegetable productions,
the fruits and flowers of the seasons, to convey even anything of what
we desire. So is it Pleasure has its own atmosphere,--we may breathe,
but hardly chronicle it.
Public-domain text, read in full here on John Shaqi.
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