"On Hooligan Alley, as I prefer to call the street our headquarters was
on, there was a row of flat 'dobe houses with red tile roofs, some straw
shacks full of Indians and dogs, and one two-story wooden house with
balconies a little farther down. That was where General Tumbalo, the
comandante and commander of the military forces, lived. Right across the
street was a private residence built like a combination bake-oven and
folding-bed. One day, O'Connor and me were passing it, single file, on
the flange they called a sidewalk, when out of the window flies a big
red rose. O'Connor, who is ahead, picks it up, presses it to his fifth
rib, and bows to the ground. By Carrambos! that man certainly had the
Irish drama chaunceyized. I looked around expecting to see the little
boy and girl in white sateen ready to jump on his shoulder while he
jolted their spinal columns and ribs together through a breakdown, and
sang: 'Sleep, Little One, Sleep.'
"As I passed the window I glanced inside and caught a glimpse of a white
dress and a pair of big, flashing black eyes and gleaming teeth under a
dark lace mantilla.
"When we got back to our house O'Connor began to walk up and down the
floor and twist his moustaches.
"'Did ye see her eyes, Bowers?' he asks me.
"'I did,' says I, 'and I can see more than that. It's all coming out
according to the story-books. I knew there was something missing. 'Twas
the love interest. What is it that comes in Chapter VII to cheer the
gallant Irish adventurer? Why, Love, of course--Love that makes the
hat go around. At last we have the eyes of midnight hue and the rose
flung from the barred window. Now, what comes next? The underground
passage--the intercepted letter--the traitor in camp--the hero thrown
into a dungeon--the mysterious message from the señorita--then the
outburst--the fighting on the plaza--the--'
"'Don't be a fool,' says O'Connor, interrupting. 'But that's the only
woman in the world for me, Bowers. The O'Connors are as quick to love as
they are to fight. I shall wear that rose over me heart when I lead me
men into action. For a good battle to be fought there must be some woman
to give it power.'
"'Every time,' I agreed, 'if you want to have a good lively scrap.
There's only one thing bothering me. In the novels the light-haired
friend of the hero always gets killed. Think 'em all over that you've
read, and you'll see that I'm right. I think I'll step down to the
Botica Española and lay in a bottle of walnut stain before war is
declared.'
"'How will I find out her name?' says O'Connor, layin' his chin in his
hand.
"'Why don't you go across the street and ask her?' says I.
"'Will ye never regard anything in life seriously?' says O'Connor,
looking down at me like a schoolmaster.
"'Maybe she meant the rose for me,' I said, whistling the Spanish
Fandango.
Public-domain text, read in full here on John Shaqi.
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