In the mean time, Mr. George and Rollo remained in the seat they had
taken. The service appeared to them very complicated. The different
portions of it were performed by different clergymen, who were dressed
in white robes, and adorned with the various other insignia of
sacerdotal rank. The places, too, in which they stood, in performing
their ministrations, were continually changed, each clergyman being
escorted with great ceremony to the desk or pulpit at which he was to
perform his part by a verger, who was clothed in an antique dress, and
bore an ornamented rod in his hand--the emblem of his office.
In one place there was a choir of singing boys, all dressed in white,
who chanted the responses and anthems. The other parts of the service
were cantilated, or _intoned_, as it is called, in a manner which seemed
to Mr. George and Rollo very extraordinary. In fact, the whole scene
produced upon the minds of our travellers the effect, not of a religious
service for the worship of God, but of a gorgeous, though solemn,
dramatic spectacle.
When, at length, the service was ended and the benediction was
pronounced, the congregation rose; but Mr. George perceived that those
who were in the part of the church near them did not turn and go back
towards the Poet's Corner, where they had come in, but stood and looked
forward towards the choir, as if they were expecting to advance in that
direction.
"Let us wait a minute," said Mr. George, "and see what they will do."
In a few minutes the verger removed the worsted cords by which the
passage ways in and through the choirs had been closed, and then there
commenced a general movement of the congregation in that direction. The
people, as they walked along, paused to look at the monuments that were
built in the walls; at the statues and groups of allegorical figures
that were placed here and there in niches and recesses; at the oak
carvings in the screens; the canopies and the stalls; at the
stained-glass windows, with the gorgeous representations which they
contained of apostles and saints; and at all the other architectural and
sculptured wonders of the place.
The congregation passed out from the choir into the nave through a sort
of gateway in the screen beneath the organ, at the place marked O in the
plan; and then, spreading out on each side, they passed between the
columns into the aisles, and thus moved slowly down the nave and the
aisles, surveying the monuments and sculptures as they proceeded. They
did not stop long at any place, but moved on continually, though slowly,
as if it were not the custom to walk about much for the purpose of
viewing the abbey on Sunday.
Public-domain text, read in full here on John Shaqi.
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