In this state of mental cleavage, the student now formed an amazing
resolve. Sitting down one day in his little attic, he wrote a letter to
be sent into the remote distances of Russia, a letter describing to
Tolstoi the doubts that perplexed his conscience. He wrote as those who
despair pray to God, with no hope for a miracle, no expectation of an
answer, but merely to satisfy the burning need for confession. Weeks
elapsed, and Rolland had long since forgotten his hour of impulse. But
one evening, returning to his room, he found upon the table a small
packet. It was Tolstoi's answer to the unknown correspondent,
thirty-eight pages written in French, an entire treatise. This letter of
October 14, 1887, subsequently published by Péguy as No. 4 of the third
series of "_Cahiers de la quinzaine_," began with the affectionate
words, "Cher Frère." First was announced the profound impression
produced upon the great man, to whose heart this cry for help had
struck. "I have received your first letter. It has touched me to the
heart. I have read it with tears in my eyes." Tolstoi went on to expound
his ideas upon art. That alone is of value, he said, which binds men
together; the only artist who counts is the artist who makes a sacrifice
for his convictions. The precondition of every true calling must be, not
love for art, but love for mankind. Those only who are filled with such
a love can hope that they will ever be able, as artists, to do anything
worth doing.
[Illustration: Leo Tolstoi's Letter]
Public-domain text, read in full here on John Shaqi.
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