Suffering is not the great man's goal. But it is his ordeal; the needful
filter to effect purification; "the swiftest beast of burden bearing us
towards perfection," as Meister Eckhart said. "In suffering alone do we
rightly understand art; through sorrow alone do we learn those things
which outlast the centuries, and are stronger than death." Thus for the
great man, the painful experiences of life are transmuted into
knowledge, and this knowledge is further transmuted into the power of
love. Suffering does not suffice by itself to produce greatness; we need
to have achieved a triumph over suffering. He who is broken by the
distresses of life, and still more he who shirks the troubles of life,
is stamped with the imprint of defeat, and even his noblest work will
bear the marks of this overthrow. None but he who rises from the depths,
can bring a message to the heights of the spirit; paradise must be
reached by a path that leads through purgatory. Each must discover this
path for himself; but the one who strides along it with head erect is a
leader, and can lift others into his own world. "Great souls are like
mountain peaks. Storms lash them; clouds envelop them; but on the peaks
we breathe more freely than elsewhere. In that pure atmosphere, the
wounds of the heart are cleansed; and when the cloudbanks part, we gain
a view of all mankind."
To such lofty outlooks Rolland wishes to lead the sufferers who are
still in the darkness of torment. He desires to show them the heights
where suffering grows one with nature and where struggle becomes heroic.
"Sursum corda," he sings, chanting a song of praise as he reveals the
sublime pictures of creative sorrow.
CHAPTER III
BEETHOVEN
Public-domain text, read in full here on John Shaqi.
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