Beethoven, the master of masters, is the first figure sculptured on the
heroic frieze of the invisible temple. From Rolland's earliest years,
since his beloved mother had initiated him into the magic world of
music, Beethoven had been his teacher, had been at once his monitor and
consoler. Though fickle to other childish loves, to this love he had
ever remained faithful. "During the crises of doubt and depression which
I experienced in youth, one of Beethoven's melodies, one which still
runs in my head, would reawaken in me the spark of eternal life." By
degrees the admiring pupil came to feel a desire for closer acquaintance
with the earthly existence of the object of his veneration. Journeying
to Vienna, he saw there the room in the House of the Black Spaniard,
since demolished, where the great musician passed away during a storm.
At Mainz, in 1901, he attended the Beethoven festival. In Bonn he saw
the garret in which the messiah of the language without words was born.
It was a shock to him to find in what narrow straits this universal
genius had passed his days. He perused letters and other documents
conveying the cruel history of Beethoven's daily life, the life from
which the musician, stricken with deafness, took refuge in the music of
the inner, the imperishable universe. Shudderingly Rolland came to
realize the greatness of this "tragic Dionysus," cribbed in our somber
and unfeeling world.
After the visit to Bonn, Rolland wrote an article for the "_Revue de
Paris_," entitled _Les fêtes de Beethoven_. His muse, however, desired
to sing without restraint, freed from the trammels imposed by critical
contemplation. Rolland wished, not once again to expound the musician to
musicians, but to reveal the hero to humanity at large; not to recount
the pleasure experienced on hearing Beethoven's music, but to give
utterance to the poignancy of his own feelings. He desired to show forth
Beethoven the hero, as the man who, after infinite suffering, composed
the greatest hymn of mankind, the divine exultation of the Ninth
Symphony.
Public-domain text, read in full here on John Shaqi.
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