Roman Antiquities, and Ancient Mythology: For Classical Schools (2nd ed)Dillaway, Charles K. (Charles Knapp)
History
Roman Antiquities, and Ancient Mythology: For Classical Schools (2nd ed)
Dillaway, Charles K. (Charles Knapp)
Mythology, Classical; Rome -- Antiquities
The _comitium_ was only a part of the Roman forum, which served
sometimes for the celebration of the _comitia_; here stood the _rostra_,
a kind of pulpit, adorned with the beaks of ships taken in a sea fight,
from the inhabitants of Antium in Italy; here causes were pleaded,
orations made, and funeral panegyrics delivered.
CHAPTER IX.
_Porticos, Arches, Columns and Trophies._
The porticos are worthy of observation: they were structures of curious
work and extraordinary beauty annexed to public edifices, sacred and
civil, as well for ornament as use.
They generally took their names either from the temples which they stood
near, from the builders, from the nature and form of the building, or
from the remarkable paintings in them.
They were sometimes used for the assemblies of the senate; sometimes the
jewellers and such as dealt in the most precious wares took their stand
here to expose their goods for sale; but the general use they were put
to, was the pleasure of walking or riding in them, like the present
piazzas in Italy.
Arches were public buildings designed for the encouragement and reward
of noble enterprises, erected generally to the honor of such eminent
persons as had either won a victory of extraordinary consequence abroad,
or had rescued the commonwealth, at home, from any considerable danger.
At first they were plain and rude structures, by no means remarkable for
beauty or taste: but in latter times no expense was thought too great to
render them in the highest manner splendid and magnificent. The arches
built by Romulus were only of brick, that of Camillus of plain square
stone, but those of Cæsar, Drusus, Titus, &c. were all of marble.
Their figure was at first semicircular, whence probably they took their
names; afterwards they were built four square, with a spacious arched
gate in the middle, and small ones on each side. Upon the vaulted part
of the middle gate, hung little winged images representing victory, with
crowns in their hands, which, when they were let down, they put upon the
conqueror's head, as he passed under the triumphal arch.
The columns or pillars, over the sepulchres of distinguished men, were
great ornaments to the city: they were at last converted to the same
design as the arches, for the honorable memorial of some noble victory
or exploit. The pillars of the emperors Trajan and Antoninus deserve
particular attention for their beauty and curious workmanship.
The former was set up in the middle of Trajan's forum, being composed of
twenty-four great stones of marble, but so skilfully cemented as to
appear one entire stone. The height was one hundred forty-four feet; it
is ascended on the inside by one hundred eighty-five winding stairs, and
has forty little windows for the admission of light. The whole pillar is
incrusted with marble, in which are expressed all the noble actions of
the emperor, and particularly the Decian war.
Public-domain text, read in full here on John Shaqi.
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