Roman Mosaics; Or, Studies in Rome and Its NeighbourhoodMacmillan, Hugh
Philosophy
Roman Mosaics; Or, Studies in Rome and Its Neighbourhood
Macmillan, Hugh
Rome (Italy) -- Description and travel
The worship of Vesta, the goddess of the household fire, was one of
the most primitive forms of religion. It doubtless arose from the
great difficulty in prehistoric times of producing fire by rubbing two
sticks against one another. Such a flame once procured would be
carefully guarded against extinction in some central spot by the
unmarried women of the household, who had nothing else to do. And from
this central fire all the household fires of the settlement would be
obtained. A relic of this prehistoric custom existed in the rule that
if the sacred vestal fire was ever allowed to go out it could only be
kindled anew by the primitive process of friction. The worship of
Vesta survived an old world of exhausted craters and extinct
volcanoes, with which was buried a world of lost nations. The
Pelasgians brought to Italy the stone of the domestic hearth, the
foundation of the family, and the tombstone, the boundary of the
fields divided after the death of the head of the family, the
foundation of property; and upon this double base arose the great
distinctive edifice of the Roman Law, the special gift of Rome to the
civilisation of the world. Rhea Sylvia, mother of Romulus, was a
Vestal Virgin of Alba, which shows that the worship of Vesta existed
in this region long before the foundation of Rome. The origin of the
first temple and of the institutions of Vestal Virgins for its service
was attributed to Numa Pompilius. The first building, as Ovid tells
us, was constructed with wattled walls and a thatched roof like the
primitive huts of the inhabitants. It was little more than a covered
fireplace. It was the public hearth of the new city, round which were
gathered all the private ones. On it burned continually the sacred
fire, the symbol of the life of the state, which was believed to have
been brought from Troy, and the continuance of which was connected by
superstition with the fortunes of Rome. In the secret penetralia of
the temple, where no man was allowed to enter, was kept with
scrupulous care, for its preservation was equally bound up with the
safety of the empire, the Palladium, or image of Pallas, saved from
the destruction of Troy, and which was supposed to have originally
fallen from heaven. The circular form and the domed roof of the temple
were survivals of the prehistoric huts of the Aborigines, which were
invariably round, as the traces of their foundations show. With the
exception of the Palladium, which remained invisible during all the
ages to ordinary mortal eyes until the destructive fire in the Forum,
in the reign of Commodus, compelled the Vestal Virgins to expose it in
removing it for safety to the imperial court, there was in primitive
times no statue or material representation of the goddess except the
sacred fire in the mysterious shrine of the temple. Indeed the Romans,
as Plutarch tells us, raised no statue to the gods until the year of
Rome 170. In this respect the religion of the Romans, whose divinities
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