Roman Mosaics; Or, Studies in Rome and Its NeighbourhoodMacmillan, Hugh
Philosophy
Roman Mosaics; Or, Studies in Rome and Its Neighbourhood
Macmillan, Hugh
Rome (Italy) -- Description and travel
At Luxor, a single obelisk, the property of the English, still
maintains its ancient position. It is very beautiful, formed of red
granite, and covered with elegantly carved inscriptions, running up
each of the four faces. The hieroglyphics are cut to an unusual depth,
and are remarkably clear and well-formed, indicating that the monument
was raised in honour of Rameses the Great, the most illustrious of all
the Egyptian monarchs, and the most magnificent and prolific architect
the world has ever seen. The top of the obelisk was originally left in
a rough unfinished state, the roughness having been concealed by a
capping of bronze; but this having been removed long ago, the surface
has become very much eroded by exposure, which somewhat detracts from
the elegance of the shaft. It has also the peculiarity that its two
inner faces are sensibly curved--a peculiarity which it is supposed
was designed to make the sunlight fall with softer effect, so as to
make the shadows less crude, and the angles less sharp. The shaft,
which is eighty-two feet high by eight feet in diameter at the base,
is elevated upon a pedestal, which is adorned by statues in high
relief of dog-headed monkeys standing in an attitude of adoration at
the corners worshipping the sun, and also by standing figures of the
god of the Nile presenting offerings, incised in the stone like the
hieroglyphics of the shaft. The surroundings of this obelisk are far
grander than those of any other obelisk in the world. At present the
extent and dimensions of the ruins of Thebes produce an overwhelming
effect upon the visitor. But it is almost impossible for us to imagine
its magnificence when its temples and obelisks were in their full
perfection, and the great Rameses was carried on the shoulders of his
officers through the ranks of adoring slaves to behold the completion
of the works which had been designed to perpetuate his glory. The
ancient city, divided in the middle by the Nile, as London is by the
Thames or Glasgow by the Clyde, covered the vast plain, with great
houses in the outskirts standing in richly cultivated gardens, each
temple surrounded by its own little sacred lake, over which the bodies
of the dead were carried by the priests before burial, and the
beautiful Mokattam Hills bounding the view, wearing the soft lilac hue
of distance. Only two or three places on earth can rival the
overwhelming interest which the city possesses. But the colossal
associated temples of Karnac and Luxor are absolutely unique. There is
nothing on earth to equal them. They are man's greatest achievements
in religious architecture. Long rows of stupendous pillars, covered
from base to top with coloured pictures and hieroglyphics, containing
a whole library of actually written and pictured history and
religion, look "like a Brobdingnagian forest turned into stone," in
the midst of which the visitor feels himself an insignificant insect.
A sense of superhuman awfulness, of personal nothingness and
Public-domain text, read in full here on John Shaqi.
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