irresistible power, is what these stupendous structures inspire in even the most callous spectator. A confused mass of broken columns and heaps of huge sculptured stones present an appearance as if the old giants had been at war on the spot, hurling rocks at each other. Between Luxor and Karnac extended an avenue of sphinxes, two miles long, numbering more than four thousand pieces of sculpture, now represented by mutilated formless blocks of stone. We see in these vast temples, which were raised by a people inspired with the sentiment that they were the greatest of all nations, to be the chief shrines of the religion of the country, the fruits of the plunder and the tribute of Asia and Africa. The funds necessary to build them had been procured by robbing other nations; and most of the work was done by captives taken in war. Many a fair province had been desolated of its inhabitants, many a splendid city spoiled of its riches, in order to construct these awful halls. Unfortunately, the annual overflow of the inundation of the Nile covers the ground to the depth of a foot or two, staining and eating away the bases of the columns, and overthrowing their enormous drums and architraves. The destruction cannot be prevented, for the water infiltrates through the soil; and some day, ere long, the remaining columns will be hurled down, and the pride of Karnac will lie prone in the dust. Passing westward to Rome, the largest obelisk not only in the Eternal City but in the whole world is that which now adorns the square of St. John Lateran. It is, as usual, of red granite much darkened and corroded by time, and stands with its pedestal and cross one hundred and forty-one feet high; the shaft alone being one hundred and eight feet seven inches in height, with faces about nine feet and a half wide at the base; the whole mass weighing upwards of four hundred and sixty tons. It was found among the ruins of the Circus Maximus broken into three pieces, and was dug up by order of Pope Sixtus V., conveyed to its present site, and re-erected by the celebrated architect Fontana in 1588. The lower end had been so much injured by its fall, that in order to enable it to stand, it was found necessary to cut off about two feet and a half to obtain a level base. On the top of it Fontana added by way of ornament four bronze lions, surmounted by three mountain peaks, out of which sprung the cross, as the armorial bearings of the Popes. Thus crowned with the cross, and consecrated to the honour of Christianity, this noble relic of antiquity acquires an additional interest from its nearness to the great Basilica of the Lateran, which is the representative cathedral of the Papacy and the mother church of Christendom, and to the Lateran Palace, for a thousand years the residence of the Popes of Rome.