Roman Mosaics; Or, Studies in Rome and Its NeighbourhoodMacmillan, Hugh
Philosophy
Roman Mosaics; Or, Studies in Rome and Its Neighbourhood
Macmillan, Hugh
Rome (Italy) -- Description and travel
We pass out from the Piazza through the Porta del Popolo, the only way
by which strangers used to approach Rome from the north. It was indeed
a more suitable entrance into the Eternal City than the present one;
for no human being, with a spark of imagination, would care to obtain
his first view of the city of his dreams from the outside of a great
bustling railway station. But the Porta del Popolo had annoyances of
its own that seemed hardly less incongruous. One had to run the
gauntlet of the custom-house here, and to practise unheard-of
briberies upon the venal douaniers of the Pope before being allowed to
pass on to his hotel. And the first glimpse of the city from this
point did not come up to one's expectations, being very much like that
of any commonplace modern capital, without a ruin visible, or any sign
or suggestion of the mistress of the world. The Porta del Popolo
almost marks the position of the old Flaminian gate, through which
passed the great northern road of Italy, constructed by the Roman
censor, C. Flaminius, two hundred and twenty years before Christ,
extending as far as Rimini, a distance of two hundred and ten miles.
Through that old gate, and along that old road, the Roman cohorts
passed to conquer Britain, then a small isle inhabited by savage
tribes. Hardly any path save that to Jerusalem has been trodden by so
many human feet as this old Flaminian road. The present gate is said
to have been designed by Michael Angelo; but it shows no signs of his
genius. On the inner side, above the keystone of the arch, is a lofty
brick wall in the shape of a horse-shoe, built exclusively for the
purpose of displaying in colossal size, emblazoned in stucco, the city
arms, the sun rising above three or four pyramidal mountains arranged
above each other. The external facade consists of two pairs of Doric
columns of granite and marble flanking the arch, whose colour and
beauty have entirely disappeared through exposure to the weather. In
the spaces between the columns are two statues, one of St. Peter, and
the other of St. Paul, of inferior merit, and very much stained and
weather-worn. The inscription above the arch, "To a happy and
prosperous entrance," seemed a mockery in the old douanier days, when
delays and extortions vexed the soul of the visitor, and produced a
mood anything but favourable to the enjoyment of the Eternal City. But
now the grievances are over. The occupation of the place is gone. The
barracks on the left for the papal guards are converted to other
purposes; no custom-house officer now meets one at the gate, and all
are free to come and go without passport, or bribe, or hindrance.
Since I was in Rome this old gateway being found too narrow has been
considerably widened by the addition of a wing on each side of the
large central arch, containing each a smaller arch in which the same
style of architecture is carried out.
Public-domain text, read in full here on John Shaqi.
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