armed followers at the Villa Borghese in the autumn of 1922. These
men of today show the same spirit of unquestioning obedience to the
state which characterized the Roman in olden time. One may well think
himself back in the third century B. C., listening to the ancient
Roman soldiers gathered before their dictator, when he reads the
oath which the assembled Fascisti took in Rome on January 1, 1923:
“I swear loyalty to Benito Mussolini, who governs the destinies of
Italy. I swear devoted and absolute obedience to his government with
uncontrolled conscience, which involves also the supreme sacrifice
of life, the renunciation of all personal initiative, and the daily
practice of iron discipline.” That this movement was directly inspired
by Roman tradition is made plain by the symbols and forms which it
takes. It gets its name from the _fasces_, or bundle of rods, which
the lictor carried, as a symbol of the authority of the state, and the
Fascista army is organized like the old Roman army into _manipuli_,
_centuriae_, _cohortes_, and _legiones_.[18]
Who can say what this reawakening of the old Roman spirit may mean for
Italy? It has already given rise to a new _Risorgimento_. It was the
cause of Italy’s participation in the War and was the result of that
War. Italy bore her part of the burden of the War with the other great
Powers of Europe. She has freed herself from the economic domination
of Germany and from the threat of Austrian invasion. Her “Unredeemed
Lands” are restored to her. Her control of the Adriatic seems
assured. Out of these achievements surged up the feeling of national
independence and solidarity embodied in the Fascista organization,
which numbers now several hundred thousand young men, and at the same
time it was the Fasci or patriotic groups, which came into existence
in the early years of the war, that made these achievements possible.
The organization has set a bad precedent in its use of violent methods,
and in establishing a military force outside the state. In its dealings
with other peoples it may assert national ambitions too vigorously, but
it bids fair to give expression to the national genius and to inspire
Italy with a new life and vigor.
5. THE JUDICIARY
Public-domain text, read in full here on John Shaqi.
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