Roman Society from Nero to Marcus AureliusDill, Samuel
Philosophy
Roman Society from Nero to Marcus Aurelius
Dill, Samuel
Rome -- Religion; Rome -- Social life and customs
stone-cutter full directions about the monument which is to record so
brilliant a career. There is to be ample provision for its due keeping, in
the fashion so well known from the inscriptions, with a fair space of
prescribed measurements, planted with vines and other fruit trees.
Trimalchio wishes to be comfortable in his last home.(808) On the face of
the monument ships under full sail are to figure the sources of his
wealth.(809) He himself is to be sculptured, seated on a tribunal, clothed
with the _praetexta_ of the Augustalis, with five rings on his fingers,
ladling money from a bag, as in the great banquet with which he had once
regaled the people.(810) On his right hand there is to be the figure of
his wife holding a dove and a spaniel on a leash. A boy is to be graved
weeping over a broken urn. And, finally, in the centre of the scene, there
is to be a horologe, that the passer-by, as he looks for the hour, may
have his eyes always drawn to the epitaph which recited the dignities and
virtues of the illustrious freedman. It told posterity that “C. Pompeius
Trimalchio Maecenatianus was pious, stout, and trusty, that he rose from
nothing, left HS.30,000,000, and never heard a philosopher.” The whole
company, along with Trimalchio himself, of course wept copiously at the
mere thought of the close of so illustrious a career. After renewing their
gastric energy in the bath, the company fell to another banquet. Presently
a cock crows, and Trimalchio, in a fit of superstition, spills his wine
under the table,(811) passes his rings to the right hand, and offers a
reward to any one who will bring the ominous bird. The disturber was soon
caught and handed over to the cook for execution. Then Trimalchio excites
his wife’s natural anger by a piece of amatory grossness, and, in
retaliation for her very vigorous abuse, flings a cup at her head. In the
scene which follows he gives, with the foulest references to his wife’s
early history, a sketch of his own career and the eulogy of the virtues
that have made him what he is.(812) Growing more and more sentimental, he
at last has himself laid out for dead;(813) the horn-blowers sound his
last lament, one of them, the undertaker’s man, with such a good will,
that the town watch arrived in breathless haste with water and axes to
extinguish a fire. The strangers seized the opportunity to escape from the
nauseous scene. Their taste raised them above Trimalchio’s circle, but
they were quite on the level of its morals. Encolpius and his companions
are soon involved in other adventures, in which it is better not to follow
them.
Public-domain text, read in full here on John Shaqi.
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