Roman Society from Nero to Marcus AureliusDill, Samuel
Philosophy
Roman Society from Nero to Marcus Aurelius
Dill, Samuel
Rome -- Religion; Rome -- Social life and customs
And now, in taking leave of Seneca, let us forget the fawning exile in
Corsica, the possible lover of Julia or Agrippina, the millionaire
minister of Nero, who was surrounded by a luxury and state which moved the
envy of the tyrant.(1786) Rather let us think of the ascetic from his
early youth, who, raised by his talents to the highest place, had to
reconcile an impossible ideal with the sordid or terrible realities of
that rank which was at once a “pinnacle and a precipice.”(1787) He was
continually torn by the contrast between the ideal of a lofty Stoic creed
and the facts of human life around him, between his own spiritual cravings
and the temptations or the necessities of the opportunist statesman. He
was imbued with principles of life which could be fully realised only in
some Platonic Utopia; he had to deal with men as they were in the reign of
Nero, as they are painted by Tacitus and Petronius. If he failed in the
impossible task of such a reconciliation, let us do him the justice of
recognising that he kept his vision clear, and that he has expounded a
gospel of the higher life, which, with all its limitations from
temperament or tradition, will be true for our remotest posterity, that he
had a vision of the City of God.(1788) He was not personally perhaps so
pure and clear a soul as Plutarch or Aristides or Dion Chrysostom. But he
had utterly cast off that heathen anthropomorphism which crossed and
disturbed their highest visions of the Divine.(1789) Seneca is far more
modern and advanced than even the greatest of the Neo-Platonic school,
just because he saw that the old theology was hopelessly effete. He could
never have joined in the last struggle of philosophic paganism with the
Church. And so the Church almost claimed him as her son, while it never
dreamt of an affinity with Plutarch or Plotinus.
Public-domain text, read in full here on John Shaqi.
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