Seneca gives a lurid picture of the corruption of women in the general licence of his age.(1780) Yet he has a lofty ideal of what women might become. Like other Stoic preachers, it was his good fortune to be surrounded by good women from his infancy. He remembers the tenderness of his aunt, in whose arms he first entered Rome as a child, who nursed him through long sickness, and broke through her reserve to help him in his early career of ambition. Her blameless character escaped even the petulance of Alexandrian gossip.(1781) His letters to his mother, Helvia, reveal a matron of the best Roman type—strong, self-denying, proud of her motherhood, and despising the extravagance and ostentation of her class. In spite of her father’s limited idea of female culture, she had educated herself in liberal studies, and found them a refuge in affliction.(1782) Marcia was of a softer type, and gave way to excessive grief for a lost child. Yet it is to her that Seneca unfolds most fully his ideal of feminine character. He will not admit the inferior aptitude of women for virtue and culture.(1783) Women have the same inner force, the same capacity for nobleness as men. The husband of Paulina who surrounded him with affectionate sympathy, and was prepared to die along with him, the man who had witnessed the stern courage and loving devotion of the wives of the Stoic martyrs, might well have a lofty ideal of woman’s character.(1784) But to any true disciple of the Porch that ideal had a surer ground than any personal experience, however happy. The creed which Seneca held was at once a levelling and an elevating creed. It found the only nobility or claim to rank in higher capacity for virtue.(1785) It embraced in the arms of its equal charity all human souls, bond or free, male or female, however they might be graded by convention or accident, who have a divine parentage, and may, if they will, have a lofty, perhaps an eternal future.