=166.= The ‘Stoic style’ was a severe intellectual and moral discipline. The speaker was called upon under all circumstances to speak the truth, the whole truth, and nothing but the truth. He could hold back nothing from his audience, even though his words might be offensive to their religious opinions, their patriotic feelings, or their sense of decency; he could add no word which would touch their sympathies or kindle their indignation in the direction he himself might wish. He had always before his eyes the example of Socrates’ defence before the Athenian jury and its result. The Stoic appeared before his audience as a brave, sane, and rather rugged speaker, painfully ill-equipped in all those arts which the circumstances demanded[134]. Even the Stoics of the transition period, in spite of their Academic leanings and their literary acquirements, made this impression at Rome. Diogenes, who had himself done much to elaborate the theory of style, was noted as a quiet and self-restrained speaker[135]. The influence of Panaetius may be traced in his friend Lucilius, who in his book on style is never tired of ridiculing the artifices of rhetoricians. Then followed a succession of these reserved speakers, which we shall trace in another chapter, leading up to Cato of Utica, by far the best-known and the most ridiculed of them all[136]. It is not easy to form a fair judgment of the merits of the Stoic style. It must be admitted that the works of Chrysippus are not readable; but on the other hand Antipater, Panaetius, Posidonius, Musonius Rufus, and Epictetus were all writers or speakers of great attractiveness[137]. [Sidenote: Paradox.]