I read it in a little house of call, in a whitewashed room that
contained a cardboard cat labelled “The Best,” for sole ornament. Four
swarthy fellows, Mexican patriots, were talking noisily about their War
of Independence, and the exploits of a General Trapelascis, who had
been defeating the Spanish troops over there. It was almost impossible
to connect them with a world that included Veronica’s delicate
handwriting with the pencil lines erased at the base of each line of
ink. They seemed to be infinitely more real. Even Veronica’s interest
in me seemed a little strange; her desire for my return irritated me. It
was as if she had asked me to return to a state of bondage, after having
found myself. Thinking of it made me suddenly aware that I had become a
man, with a man’s aims, and a disillusionized view of life. It suddenly
appeared very wonderful that I could sit calmly there, surveying, for
instance, those four sinister fellows with daggers, as if they were
nothing at all. When I had been at home the matter would have caused
me extraordinary emotions, as many as if I had seen an elephant in a
travelling show. As for going back to my old life, it didn’t seem to be
possible.
CHAPTER TWO
One night I was riding alone towards Horton Pen. A large moon hung
itself up above me like an enormous white plate. Finally the sloping
roof of the Ferry Inn, with one dishevelled palm tree drooping over it,
rose into the disk. The window lights were reflected like shaken torches
in the river. A mass of objects, picked out with white globes, loomed
in the high shadow of the inn, standing motionless. They resolved
themselves into a barouche, with four horses steaming a great deal, and
an army of negresses with bandboxes on their heads. A great lady was
on the road; her querulous voice was calling to someone within the open
door that let down a soft yellow light from the top of the precipitous
steps. A nondescript object, with apparently two horns and a wheel,
rested inert at the foot of the sign-post; two negroes were wiping their
foreheads beside it. That resolved itself into a man slumbering in a
wheelbarrow, his white face turned up to the moon. A sort of buzz of
voices came from above; then a man in European clothes was silhouetted
against the light in the doorway. He held a full glass very carefully
and started to descend. Suddenly he stopped emotionally. Then he turned
half-right and called back, “Sir Charles! Sir Charles! Here’s the very
man! I protest, the very man!” There was an interrogative roar from
within. It was like being outside a lion’s cage.
Public-domain text, read in full here on John Shaqi.
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