Romance of Roman Villas (The Renaissance)Champney, Elizabeth W. (Elizabeth Williams)
History
Romance of Roman Villas (The Renaissance)
Champney, Elizabeth W. (Elizabeth Williams)
Art -- Italy; Legends -- Italy; Renaissance -- Italy
By the which epithet I would signify that comradeship at Chigi's villa
at Rome in orgies of paint pots and brushes, flesh pots and flagons,
feasts of reason and of unreason, wherein we were alike insatiable until
the light of our revels went out in the death of our adored Raphael.
You write me that in the intervals of your labour you are piecing
together memoirs of those glorious Roman days in order to leave to the
world some record of the more intimate private life of our friend, and
you ask me for any anecdotes or remembered conversations which may fill
out this sheaf of tribute.
Faith, you, who have a whole garden of such souvenirs from which to
cull, in that you shared his labours, his home, his confidence and his
largess, have come to a wild and barren pasture for such sweet flowers;
and yet there was love between us, love which ever radiated from him as
it were sunshine and caused many a briar-rose to blossom in the thorny
tangle of my life. I knew him also before you, in the summer of 1503, at
Siena; and it is of certain pranks in that early comradeship that I will
now write. Raphael was then a youth of scarce twenty years. He had come
fresh from his apprenticeship to that old pietist Perugino, to assist in
the decoration of the cathedral library. I was twenty-four, but older
far in world-knowledge, and exulting in my first success as a painter,
for though the spoiled favourite of the town I stood _facile princeps_
among the Sienese of my craft.
We met first at Cetinale, the villa of our patron, Agostino Chigi. From
the first Raphael's honest admiration of my work warmed me to
friendship and I strove to enlighten his ignorance. Chigi had placed at
our joint disposition a loft in his stables which we fitted up as a
studio and bed-chamber, and hither we resorted for work or play as
opportunity and inclination moved us.
It was oftener play for me, for I was more interested in my host's
horses in those days than in my art. Chigi and I were both amateurs of
the race-track and though he spent enormous sums on his stud I had once
beaten him at the _palio_. In spite of this we were good friends. I had
the run of his stables and many a reckless ride have we enjoyed
together. I was fond of all sports which were spiced with danger, and
particularly of hunting. But there was no sport I loved so well as a
practical joke, no game that for me had so delicious a flavour as the
teasing of my friends and especially the more serious and
dignified--though such pranks have frequently cost me dear. From the
multitude of which I have been guilty I recall one which had different
consequences from those I had foreseen.
Public-domain text, read in full here on John Shaqi.
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