Thus, at last, my scheme was carried out, though we had much difficulty in persuading Maria Dovizio to lend herself to it. Only when Chigi explained that it was an ovation to Raphael, in which she was to crown him with a wreath of laurel and foretell him a glorious future, did she consent. Even then she had no suspicion that I had any ulterior motive in suggesting the little tableau. It was late at night, or rather early in the morning, when all our arrangements were completed and, returning to the studio, I dragged Raphael from his books on pretence that we both had need to cool our brains. The view from the terrace was a favourite one with each of us. In the mysterious morning twilight there seemed something supernaturally sentient in the atmosphere, as though it quivered in expectation of the dawn. A soft trill, faint with rapture, filtered through the foliage of the neighbouring wood. It was a solitary nightingale calling his mate; and presently he was answered by flute-like notes which soared above the soft murmur of a viol still strumming in the villa as a skylark cuts the mists. It was not another nightingale as I at first thought, but Imperia's voice from the laurel thicket mocking the melody. As she sang there appeared within the circle of the tiny temple's columns a white-robed figure, outlined against the pale green and lemon yellow of the dawn. It might have been a statue save that as the song of the improvisatrice, a rhapsody to Apollo, thrilled the air with passionate sweetness, it raised its perfect arms in invocation. As though in response to the gesture the clouds flushed through delicate rose to crimson, while the radiance beneath their exquisite arch burned like molten gold, with ever-increasing intensity, until the sun itself blinded our eyes with its intolerable white fire. Though this was exactly the event which I had planned, I was not prepared for such phenomenal success, and I stole nearer the temple spellbound by my own artifice. The effect upon Raphael in his exalted mood may readily be imagined. To him my little comedy was a supernatural vision, and kneeling before Maria Dovizio he exclaimed: "Beautiful priestess, beseech Apollo to grant me the power to make the world more beautiful." Mechanically the Signorina repeated the lines which I had assigned her: "To you it is decreed to find Apollo and to bring back the Golden Age." Then, as she bent to crown him with the wreath of laurel, the perfume and warmth of her person intoxicating his senses, her bared arms encircling his neck, her soul in her eyes, Raphael awoke to the consciousness that this was no phantom but a woman pulsing with life and love, and that woman Maria Dovizio.