Pope carried out these ideas as well as he could in his garden at Twickenham, where he attempted to compress every variety of scenic effect within the space of five acres, so that it became a kind of melodramatic peep-show. The professional landscape-gardeners worked on a larger scale; the two chief of them perhaps were Bridgeman, who invented the haha for the purpose of concealing the bounds; and William Kent, Pope's associate and contemporary, who disarranged old gardens, and designed illustrations for Spenser's _Faerie Queene_. Kent was an architect and bad painter, much favored by George I. Lord Chesterfield compares him to Apelles, who alone was permitted to paint the portrait of Alexander: Equal your varied wonders! save This difference we see, One would no other painter have-- No other would have thee. From 1716 onward he was much employed by the Earl of Burlington. He helped to lay out Stowe, in Buckinghamshire, with a fresh and surprising view at every turn; the wandering visitor was introduced, among other delights, to the Hermitage, the Temple of Venus, the Egyptian pyramid, St. Augustine's cave (artfully constructed of roots and moss), the Saxon Temple, the Temple of Bacchus, and Dido's cave. The craze for romantic gardening, with its illusions of distance, and its ruins and groves, persisted throughout the eighteenth century. Shenstone's garden at The Leasowes enjoyed a higher reputation even than his poetry, and it is well known how he strained his slender means in the effort to outshine his neighbors. "In time," says Johnson, "his expenses brought clamours about him that overpowered the lamb's bleat and the linnet's song; and his groves were haunted by beings very different from fauns and fairies." The chief of Kent's successors was Launcelot Brown, commonly called "Capability Brown" from his habit of murmuring to himself, as he gazed on a tract of land submitted for his diagnosis--"It has capabilities; it has capabilities." He laid out Kew and Blenheim. Gazing one day on one of his own made rivers, he exclaimed, with an artist's rapture,--"Thames! Thames! Thou wilt never forgive me." He certainly imposed himself upon his own time, and, so far, was a great man. "Mr. Brown," said Richard Owen Cambridge, "I very earnestly wish that I may die before you." "Why so?" said Brown with some surprise. "Because," said he, "I should like to see Heaven before you had improved it." Among the romantic writers who were bitten by the mania for picturesque improvement were Horace Walpole and even Sir Walter Scott. Everyone knows how Walpole bought from Mrs. Chevenix, the toy-shop woman, a little house called "Chopp'd Straw Hall" which he converted into the baronial splendors of Strawberry Hill; and how Scott transmitted a mean Tweedside farm, called Clarty Hole, into the less pretentious glories of Abbotsford.