023. Bréville. The church plan. Regularly oriented from west to east, the rectangular building is formed by a two-row nave and a two-row choir with a flat apse. The whole building has an external length of 27,75 meters and an external width of 7,65 meters (width of the front). The tower rises between choir and nave. The small five-sided building in the extension of the choir houses the sacristy. Plan by Marie Lebert. [Illustration] 024. Bréville. The church tower, between choir and nave, has a Romanesque base, while the floor in slight recess and the spire are from the late 15th or early 16th century. Photo by Alain Dermigny. [Alain-010] [Illustration] 025. Bréville. The church tower reaching the sky. Photo by Claude Rayon. [Claude-07] [Illustration] 026. Bréville. The first floor and spire of the church tower. The first floor is opened on each side by a long narrow opening. The octagonal stone spire has angles rounded by tori, with a small gable with thin columns in the extension of each opening. Photo by Alain Dermigny. [Alain-011] [Illustration] 027. Bréville. The Romanesque gate in the south base of the tower, with a semi-circular arch formed by a grain molded by a torus followed by a chamfer carved with slightly visible saw-teeth. The archivolt is a thick band adorned with saw-teeth in high relief carved with a hollow row of triangular sticks. The archivolt rests on the right on a stone carved with a human head, while disappearing on the left into the masonry of the nave. The central keystone of the arch is adorned with a large human head carved in high relief. The capitals baskets of the attached columns are carved with two angle hooks. The two human heads, carved in a limestone, didn't resist well to the test of time, as well as the angle hooks. Photo by Alain Dermigny. [Alain-012] [Illustration] 028. Bréville. Sketch of the Romanesque gate in the south base of the tower. Sketch by Marie Lebert. [Illustration] 029. Bréville. Above the Romanesque gate in the south base of the tower, a human head carved in a limestone didn't resist well to the test of time, unlike the heads carved in granite in the south gate of the church of Yquelon. Photo by Alain Dermigny. [Alain-013] [Illustration] 030. Bréville. The Romanesque gate in the south base of the tower. The archivolt topping the semi-circular arch rests on a granite stone carved with a human head. Photo by Alain Dermigny. [Alain-014] [Illustration] 031. Bréville. A Romanesque modillion carved with a human head, under the cornice. Most other modillions, more recent, are plain and only chamfered. Photo by Alain Dermigny. [Alain-015] [Illustration] 032. Bréville. A Romanesque modillion carved with a human head, under the cornice. This modillion is above the bay of the second row of the nave. Photo by Alain Dermigny. [Alain-016] [Illustration]