The psychic elements of Love which thus far have been compared to overtones, might also be regarded from a Wagnerian point of view as _Leitmotive_ or leading motives in the Drama of Historic Love. In the first scenes, where the actors are animals and savages, followed by Egyptians, Hebrews, Hindoos, Greeks, and Romans, and mediæval clowns and fanatics, these leading motives are heard only as short melodic phrases, and at long intervals, pregnant, indeed, with future possibilities, but isolated and never combined into a symphony of Love. In the last act, however, which we have now reached, all these motives appear in various combinations, in the gorgeous and glowing instrumentation of modern poets, with all possible figurative, harmonic, and dynamic nuances; and at the same time so intertwined and interwoven that no one apparently has ever succeeded in unravelling the poetic woof and distinguishing the separate threads. For us, however, who have followed these motives from the moment when they first appeared in a primitive form, it will be easy to distinguish them and subject each one to a separate analysis. We shall first consider those which, like Coyness and Jealousy, are already familiar and need only be considered in their modern forms, and then pass on to those which are more and more exclusively modern. MODERN COYNESS At least five sources or causes of modern female Coyness may be suggested:— (1) _An Echo of Capture._—Why are modern city-folks so fond of picnics? It was Mr. Spencer, I believe, who suggested somewhere that it is because picnics awaken in civilised men and women a vague and agreeable reminiscence of the time when their ancestors habitually took their meals on meadows in the shade of a tree. If it is possible for such experiences to re-echo, as it were, in our nervous system through so many generations, thanks to the conservatism of oft-repeated cerebral impressions, then it does not seem so very fantastic to suggest that one cause of female Coyness may be a similar echo, or reminiscence, of the time when the primitive ancestresses of modern women were “courted” by Capture or Purchase, and so badly treated as wives that in course of time an instinctive impulse was formed in their minds to shrink back and say No to man’s proposals. (2) _Maiden_ versus _Wife_.—It is hardly necessary, however, to rely upon such a remote sociological echo, so to speak, for an explanation of a girl’s hesitation to become a wife even if her suitor pleases her. The thought of exchanging her maiden freedom for conjugal restrictions and duties; of giving up the homage and admiration of all men for the possible neglect of one; of probably soon losing her youthful beauty, etc.—such thoughts would make many girls even more coy than they now are, did not the fear of becoming an old maid act as a counterbalancing motive in favour of marriage.