Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
It has disappeared for the moment, but is almost absolutely certain to
reappear within five years.
But who, after all, is responsible for this sluggish condition of the
feminine imagination, this lack of sympathy for the fate of harmless
happy birds, who in their domestic affections and love-affairs so
closely resemble man? Is it not the men who, till within a few years,
have refused to give their daughters a rational education? It must be
so, for in that sphere where woman has been able to educate herself, and
where she is queen—in the domestic circle, she _does_ possess that
tender sympathy which she withholds from lower beings.
Within the range of human affections woman manifests more pity, is
stirred to nobler needs of self-sacrifice, than man. Is Love included in
this category? Dryden tells us that “pity melts the heart to love,” and
novelists delight to make their heroines first refuse their suitors and
subsequently accept them from real Love born of pity. For my part, I
doubt this assumed relationship between Pity and Love; and I do not
believe that a girl who has refused a lover ordinarily feels any more
pity for him than a cat does for a mouse, or a person who is all right
on a steamer does for another who is sea-sick—though he be his best
friend. There is an instinctive belief in the human mind that
love-sickness and sea-sickness are never fatal.
It does, indeed, very often happen—perhaps in half the cases; it would
be interesting to have approximate statistics on the subject—that a girl
first refuses the man whose second or third offer she accepts; for, as
an anonymous writer remarks, “women are so made (happily for men) that
gratitude, pity, the exquisite pleasure of pleasing, the sweet surprise
at finding themselves necessary to another’s happiness ... altogether
obscure and confuse the judgment.” But in such cases there are other
factors which probably influence the girl much more than Pity does. She
is, in the first place, largely influenced by this “exquisite pleasure
of pleasing”—another name for Pride. Then there is a certain advantage
to a man in having proposed, even unsuccessfully; for whenever
subsequently the girl reads about Love she will involuntarily think of
him; and thus his image will become associated with all the pleasure she
derives from Love stories—which may prove the first step for her—and a
long one—into the romantic passion. Besides, to propose to a girl is the
greatest compliment a man can pay a girl; and this cannot be without
influence.
Thus it is possible that Pity, allied with Pride, association, and
flattery, may work a change of feeling in a feminine mind; but Pity
alone will rarely lead her into the realms of Cupid. A man certainly
would never dream of marrying from Pity, on seeing that she loves him
deeply, a woman for whom he does not otherwise care. Nor should either
man or woman ever marry from Pity, any more than for money or rank. Love
should ever be the sole guide to matrimony.
Public-domain text, read in full here on John Shaqi.
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