Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
_Love at First Sight._—La Bruyère gives his opinion that “the love which
arises suddenly takes longest to cure;” and that “love which grows
slowly and by degrees resembles friendship too much to be an ardent
passion.” Schopenhauer, too, asserts that “great passions, as a rule,
arise at first sight.” He refers to Shakspere’s
“Who ever lov’d that lov’d not at first sight?”
and then cites Mateo Aleman’s old Spanish romance, _Guzman de
Alfarache_, in which, three centuries ago, the following observation was
made: “To fall in love one does not require much time or reflection and
choice; all that is needed is that in that first and only sight there
should be a mutual suitability and harmony, or what in common life we
call a sympathy of the blood, and which is due to a special influence of
the stars.”
As it is not permissible, in these degenerate days of positive science,
to explain a thing by a vague reference to poetic astrology, an attempt
must be made to account for the possibility of Love at first sight on
more prosaic grounds.
Physiognomy furnishes a simple solution of the problem. In every man’s
face is painted his personal history, as well as his favourite and
customary sphere of thoughts and feelings. As Sir Charles Bell remarks,
“Expression is to passion what language is to thought.” The gift of
reading correctly this facial language of passion is given to different
persons in different degrees, though all have some share of it: and on
their more or less accurate and subtle interpretation of the “lines and
frowns and wrinkles strange” in another’s features depends the art of
reading character and being sympathetically attracted or repulsed, as
the case may be. A young man who has unconsciously associated certain
peculiarities of facial expression in his sisters or female friends with
habitual cheerfulness, amiability, and brightness will, on recognising
similar features in a new acquaintance, take for granted similar charms
of character: this, which is the work of a second, may result in
sympathy at first sight, which very often is the beginning of Romantic
Love.
Love at First Sight may be inspired by this instinctive perception of
beauty of character, _i.e._ amiability; or by the sight of mere physical
beauty; or, thirdly, by Personal Beauty in the highest sense of the
word, uniting intellectual fascination with bodily charms.
Public-domain text, read in full here on John Shaqi.
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