Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
Two important lessons of this chapter should, however, be carefully
borne in mind; for though our search for Love has so far yielded only
negative results, some light has been thrown on the general laws of
Beauty in Nature. The lessons are:—
(1) That there is in flowers a natural tendency towards Symmetry of
Form, all normal irregularities being due to the agency of insects and
birds.
(2) That the superior Beauty of one flower over another is due to its
superior vitality or Health, which, again, is promoted by
cross-fertilisation or intermarriage—the choosing of a mate not in the
same but in another flower-bed.
Regarding the beauty of flowers a further detail may be added. Some of
the coloured lines on flowers are so placed as to guide the visiting
bees to the nectar or honey. More complicated colour-patterns probably
owe their existence to the advantage of having an easy means of
recognition at a distance. It is well known that bees on any single
expedition visit the flowers of one species only. Now it has been
experimentally proved by Lubbock that bees can distinguish different
colours; and, if we may judge by analogy with the human eye, they can
distinguish colours at a greater distance than forms. Hence the
advantage to each flower of having its own colours in its flag.
IMPERSONAL AFFECTION
From the sexual life of plants we ought to pass on to that of animals;
but before doing so, it will be advisable to ascertain clearly what is
meant by Romantic Love, and how it differs from other forms of
affection, impersonal and personal; from the love for inanimate objects
and for plants and animals; from the family affections—maternal,
paternal, filial, brotherly, and sisterly love; from friendship; and
from conjugal love.
Love is the most attractive word in the language, as Heine and Oliver
Wendell Holmes have remarked. Out of every half-dozen novels one is
likely to have the word Love in its title, as a bait sure to catch
readers. But whereas novelists always use this word in the sense of
Romantic or pre-matrimonial Love, in common language it is vaguely used
as a synonym for any kind of attachment, from that of Romeo to the
schoolgirl who “just _loves_ caramels.” For the verb _to love_ there is
perhaps no satisfactory and equally comprehensive substitute; but in
place of the noun _love_ it is advisable, at least in a scientific work,
to use the word Affection, which comprehends every form of love
mentioned above. In the present work Love, with a capital L, always
means Romantic Love.
Public-domain text, read in full here on John Shaqi.
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