Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
I.—LOVE FOR ANIMALS
Over inanimate objects and plants we have this great emotional advantage
that we can love them, whereas they cannot love us, nor even one
another, though related by marriage, like flowers.
Animals, however, can love both us and one another and be loved; and
this establishes a distinction between them and lower beings, and a
relationship with us, that warrants us in placing their attachments
under the head of Personal Affections.
Calderwood is sufficiently liberal to admit that, to a degree animals
may be included in our affections. But Adolf Horwicz who has written the
most complete, and, on the whole, most satisfactory analysis of the
human feelings in existence, denies this. “Love is and remains a
personal feeling,” he asserts; it “can only be referred to persons, not
to things. The tenderness of American ladies towards dogs and cats is
simply a gross emotional caricature.”
So it is, very often, especially in the case of ladies who neglect their
children and make fashionable pets of animals, changing and exchanging
them with the fashion. But it is simply absurd to mention this case as a
fair instance of human love towards animals. How many of the greatest
geniuses the world has produced have become famous for their
affectionate devotion to their dogs! “A dog!” says an old English
writer, “is the only thing on this earth that loves you more than he
loves himself.” And should we be morally inferior to the dog—unable to
love him in return? especially when we remember that “histories,” as
Pope remarks, “are more full of examples of the fidelity of dogs than of
friends.”
Vischer, the well-known German writer on æsthetics, goes so far as to
admit that whenever he is in society his only wish is, “Oh, if there was
only a dog here!”
There is something much nobler and deeper than sarcasm on humanity in
Byron’s famous epitaph on his dog:—
“Near this spot
Are deposited the remains of one
Who possessed Beauty without Vanity,
Strength without Insolence,
Courage without Ferocity,
And all the Virtues of man without his Vices.”
I wonder if Horwicz could read the following exquisite prose poem of
Turgenieff without feeling ashamed of himself:—
"We two are sitting in the room: my dog and I. A violent storm is raging
without.
"The dog sits close before me—he gazes straight into my eyes.
"And I too gaze straight into his eyes.
"It seems as if he wished to say something to me. He is dumb, has no
words, does not understand himself; but I understand him.
"I understand that he and I are at this moment governed by the same
feeling, that there is not the slightest difference between us. We are
beings of the same kind. In each of us shines and glows the same flame.
"Death approaches, flapping his broad, cold, moist wings....
"And all is ended.
Public-domain text, read in full here on John Shaqi.
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