Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
But of all her shortcomings the most galling and fatal is that she loves
you not. This thought alone, says Stendhal, may succeed in curing a man
of his passion. You will notice, he says, that she whom you love favours
others with little attentions which she withholds from you. They may be
mere trifles, such as not giving you a chance to help her into her
carriage, her box at the opera. The thought of this, by “associating a
sense of humiliation with every thought of her, poisons the source of
love and may destroy it.”
Thus wounded Pride is the easiest way out of Love, as gratified Pride is
the straightest way in.
REASON _VERSUS_ PASSION
According to Shakspere, though Love does not admit Reason as his
counsellor, he _does_ use him as his physician. The most effective way
of using Reason to cure Love is by way of comparison. By dwelling on the
miseries of married life as just detailed, the disappointed lover may
mitigate his pains somewhat, as did that Italian mentioned by
Schopenhauer, who resisted the agony of torture by constantly keeping in
his mind’s eye the picture of the gallows that would have been the
reward of confession.
Again, he may compare his present Love with a former infatuation that
seemed at the time equally deep and eternal, though now he wonders how
he could have _ever_ loved that girl. History repeats itself.
Compare, moreover, your present idol with her stout and faded mother. In
a few years she will perhaps resemble her mother more than her present
self.
Compare her charms, feature by feature, with some recognised paragon of
beauty. Look at her in the glaring light of the sun, which reveals every
spot on the complexion.
LOVE _VERSUS_ LOVE
Longfellow says it is folly to pretend that one ever wholly recovers
from a disappointed passion; and Mr. Hamerton believes that “a wrinkled
old maid may still preserve in the depths of her own heart, quite
unsuspected by the young and lively people about her, the unextinguished
embers of a passion that first made her wretched fifty years before.”
Occasionally this may be true, in the sense in which psychology teaches
that no impression made on the mind is ever completely effaced, but may,
though forgotten for years, be revived in moments of great excitement,
or in the delirium of fever; as, for example, in the case mentioned by
Duval, of a Pole in Germany, who had not used his native language for
thirty years, but who, under the influence of anæsthetics, “spoke,
prayed, and sang, using only the Polish language.” The persistence of an
old passion is the more probable from the fact that in mental disease
and age, as Ribot points out, the emotional faculties are effaced much
more slowly than the intellectual. Feelings form the self; _amnesia_ of
feeling is the destruction of self.
Public-domain text, read in full here on John Shaqi.
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