Romantic Spain: A Record of Personal Experiences (Vol. I)O'Shea, John Augustus
History
Romantic Spain: A Record of Personal Experiences (Vol. I)
O'Shea, John Augustus
Spain -- Description and travel
Of deliberate design, I abstain from writing of the public buildings and
monumental curiosities of Seville. All that can be had by those who
choose in the exhaustive guide-books of Richard Ford and Henry O'Shea.
To my thinking, nothing can be more insufferable than the statistics of
architecture, the bald jargon of styles plateresque and ornaments
charrigueresque, the raptures over chancels and transepts and ogee
windows, the precise accounts of such a bell, which would turn the scale
at so many hundredweight, and such a spire, which is three yards and a
quarter taller than the York Column, with the everlasting scraps of
poetry from the treasury of ready-made quotations interlarded between.
It is worse even than the cant of criticism which Laurence Sterne
castigated with honest pen. Hugo was a genius, and even Hugo was almost
unequal to saving "Notre Dame de Paris" from the dead weight of
architectural detail which cumbered its spirit.
Let us look at Seville without the guide-book or guide, walk through its
labyrinth of narrow paved streets with mind open to receive, and mark
the features of the East side by side with those of the West. Those
flat-roofed buildings with greeneries on the summit, those jealous
balconies and windows with their iron trellis-work, those cool inner
spaces with tesselated floors and surrounding of marble pillars of which
we catch glimpses through the metal fret-work of the private doors--how
Moorish they are! The sights and sounds, the ragged and bronzed beggar
urchins, the hawkers of lemons and water, the strings of donkeys and
mules in fringed blinkers pattering along under huge net or straw
panniers, crammed with fruit, or charcoal, or tiles, or cork-wood--how
characteristic, how utterly un-Frankish! That lolling clown, with legs
dangling over the tawny sheared sides of a diminutive donkey, is a study
in himself. Then the melodious street-cries, the lively braying and
whinnying, and the perpetual tinkling of the collar-bells worn by all
four-footed beasts that pass, except nobody's dog and the rich man's
horse--what a pleasant concert they make!
Public-domain text, read in full here on John Shaqi.
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