Romantic Spain: A Record of Personal Experiences (Vol. I)O'Shea, John Augustus
History
Romantic Spain: A Record of Personal Experiences (Vol. I)
O'Shea, John Augustus
Spain -- Description and travel
The sudden departure of the Italian-bred monarch had apparently plunged
the politicians into a pit of bewilderment. They did not know how they
stood. Amadeus after his reign of five-and-twenty months had perchance
left few partisans behind him, but assuredly no enemies. His principal
fault, but that was fatal, consisted in his being a foreigner. It was
universally vouchsafed that he was very brave, a true hidalgo in that
respect, and if he had been removed in the orthodox method by revolution
or the assassin, his name would have been garlanded with rosemary for
remembrance. But Spanish pride was nettled to the quick at the cavalier
way he had tossed back, with a shrug of the shoulders, the gift of a
crown when he had tired of it. He had looked upon the throne of Castile
as a gewgaw to be surrendered with indifference, and steamed contentedly
to Italy to enjoy his comparatively obscure Dukedom and rank of General
in preference. He had chosen the wiser and happier part, but to those he
had abandoned it was mortifying in the extreme. Still, he was an
unquailing chevalier, almost fit to be a Spaniard, this son of Victor
Emmanuel. He had disarmed hostility, and compelled the praise of the
envious, the very day he entered Madrid, forty-eight hours after the
funeral of Prim, when he spurred ahead of his escort and offered his
breast undismayed to the aim of any or all assassins.
That entry of Amadeus could not have inspired him with much of the
buoyancy of a bright expectation. There was in it more of sanguinary
suggestiveness than sanguine hope. The ghostly presence at the King's
first dinner in the palace could not be denied--that of the slaughtered
"Paladino," no longer fiery and strenuous, but a figure, inert, waxen,
blood-bolstered, a bullet-riddled flesh-target It was most unpropitious
of entries. There was an odour of cerecloth in the tapestry, the yellow
hue of immortelles in the épergnes, a sediment of bitterness in the
wine-cup, a strain of melancholy in the music. And yet there was some
semblance of gaiety, for with all his austere stateliness your Spaniard
is very like unto the Irishman:
"With one auspicious, and one dropping eye,
With mirth in funeral, and with dirge in marriage,
In equal scale weighing delight and dole."
Public-domain text, read in full here on John Shaqi.
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