Romantic Spain: A Record of Personal Experiences (Vol. I)O'Shea, John Augustus
History
Romantic Spain: A Record of Personal Experiences (Vol. I)
O'Shea, John Augustus
Spain -- Description and travel
The house was tolerably full, except the boxes, which were unoccupied,
save one by a sedate family party. Devout folk of the Latin race are
famous for the interest they take in the spectacular. They admire the
pomps of religion; and this Passion Play, which was almost a function,
had evidently brought many to the theatre who are seldom seen there on
ordinary occasions. I thought I could detect a pious bearing in the
pittites. The well-to-do persons--male and female--who sat patiently on
the mouldy benches looked serious, as if they had come to assist at a
sacrifice. There were old ladies there, I could almost take my word, who
are more often to be encountered, with morocco-bound prayer-books in
their shrivelled hands, creeping to early service. The gallery was
packed, and the gods, for gods, were gentlemanlike. There was nothing in
the aspect of the house meriting description--it was roomy, ill-lit,
full of draughts and dust--one of those houses we know so well. The
scene-painter, if the act-drop was a fair sample of his powers, was a
victim to colour-blindness; the orchestra showed a Republican freedom in
its scorn for the trammels of time and tune; but the prompter in his
hooded box, full in the middle of the range of footlights, was the
feature of the show. He had a very distinct voice--so distinct was it
that every sentence he directed to the actors rebounded from the flats,
came back in sibilant echo, and ascended to the gods. I have no
intention of giving an analysis of the piece; to speak the sad truth, it
did not come up to my expectations. Ober-Ammergau spoiled me for
exhibitions of the kind. I could not screw up my enthusiasm, tried I
ever so hard. That which charmed in Bavaria had no charm in Spain. The
stately panorama which was put before the awe-struck spectator in that
valley of the Ammer was not visible here. The blue sky overhead and the
eternal hills in sight above the walls of the simple wooden structure;
the music so tender and solemn; the clear-browed peasants losing their
identity in the fervid rendering of their parts; the enraptured
attention of the auditory, whose lips moved in prayer sometimes, and
whose eyes sometimes brimmed with tears, as if the scenes they watched
were real--those were things to be remembered. They were the points that
helped to make an impression in Bavaria, that dispelled prejudice and
replaced it with a pleased satisfaction which insensibly swelled to
admiration; but they were wanting in this stuffy play-house. No illusion
was possible. One never lost the consciousness that he was looking on at
a stage-play acted for money by indifferent stage-players. There was a
smell of paint and tobacco-smoke about. Then there was the voice of that
irrepressible prompter, the shaven faces of the hungry supernumeraries
who played the Roman soldiers, the gas-rakes, the shaky wings, the mark
of the trap-doors from which devils with a family likeness to the imps
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account