Romantic Spain: A Record of Personal Experiences (Vol. I)O'Shea, John Augustus
History
Romantic Spain: A Record of Personal Experiences (Vol. I)
O'Shea, John Augustus
Spain -- Description and travel
furnished--the colours of his stable, so to speak--to plant them evenly
and at equal distances from his crest, and when this is skilfully
accomplished there are frantic yells of praise, and caps and cigars are
showered into the arena. When the banderillero is awkward, they rain on
him with potatoes. These banderilleros incur hazard. I have seen one so
keenly chased by the bull that he was pinned against the barriers by the
bull's horns as he was in the act of vaulting over. Pinned, but not in
the flesh; the branching horns stuck in the wood at either side, just
above the calf of one leg, and imprisoned him until he had to be sawed
out.
This is but the prologue; now for the play. Toro by this time is in a
white rage; there is foam at his chaps, his steaming sides are laced
with blood. Cucharra of Puerto Santa Maria is the matador. Majestically
he strides towards the Governor's box, stoops in obeisance, and in a
loud voice makes proclamation: "Brindo por Puerto Santa Maria, por toda
su compañia, por el vulgo de Madrid; voy á matar ese bicho ó el bicho me
mata á mi;" an address which may thus be freely rendered: "I pledge
myself to Puerto Santa Maria and all its society, and to the people of
Madrid; and now I am ready to kill this animal, if the animal cannot
kill me." He removes his turban, and, with a graceful jerk with his
right hand from behind his back over his left shoulder, flings it into
the Governor's box, as a gage of his boasted prowess. He takes his
straight keen-tempered sword and his cloak of offensive scarlet, and
advances towards the bull. Now is the supreme trial, now is the time
when men let their lighted cigarettes drop from their mouths and clench
their teeth; now is the time when women close their fans and draw long
breaths. Cucharra faces Toro at a yard's distance. They regard each
other. Cucharra hides his sword under his cloak, and presents it to the
bull. Toro lowers his head, shuts his eyes, and charges, but the
toreador gracefully slips aside and saves his life by a turn of the
heel. Three times he repeats the feat of this risksome pirouette; but
woe to him if he is an instant too late in his movements, or if the soil
is treacherous. The fourth time, as the bull lowers his head, Cucharra
lifts himself on his toes, and with one sure swift blow plunges the
blade, almost to the hilt, into the spine of his antagonist. The bull
stands; there is a shout of "Bravo!" the bull still stands, ten seconds,
twenty, thirty; there is a howl of disappointment; but Cucharra gazes
contemptuously around; he knows he has done his work well, and, my
faith, he has. Toro quivers and drops, and Cucharra plants a foot on the
neck of his prostrate enemy. The bull has died of internal hæmorrhage;
not a drop of blood has distilled from his mouth. Bravo, Cucharra!
Public-domain text, read in full here on John Shaqi.
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