Romantic Spain: A Record of Personal Experiences (Vol. I)O'Shea, John Augustus
History
Romantic Spain: A Record of Personal Experiences (Vol. I)
O'Shea, John Augustus
Spain -- Description and travel
This death at the first thrust--death without drip of the crimson fluid
from the mouth--is the artistic death. When the sword pierces at the
wrong spot, is displaced by the shaking of the bull, and sent flying,
gore-wet, through the air, it is awkward workmanship.
But Toro showed "mucho fuego" before he was so neatly pierced in the
medulla. Bravo, Toro! And now the cachetero stoops over him, and, with
one dig of his sharp knife in the neck, makes assurance doubly sure. The
team of mules trot in, and trot out again with the dead champion at
their heels; and the urchins outside are dancing on his carcase as the
drums and tymbals give prelude to the entrance of a second champion
into the enthusiastic circle.
The slimy pools in the arena are promptly strewn with sand, and the
fresh bull is ushered into the lists, either against the same quadrille,
or against another espada with his special troop of assistants. Some of
the brutes are self-possessed, as that "proud and stately steer" Harpado
of Xarama, who was matched with Ganzul the Moor.
"Dark is his hide on either side, but the blood within doth boil,
And the dun hide glows, as if on fire, as he paws to the turmoil,
His eyes are jet, and they are set in crystal rings of snow;
But now they stare with one red glare of brass upon the foe."
All in vain, Toro. Thy fate is sealed. Useless to prance round with
defiance, to bellow with unsatisfied wrath, to churn the sand with
furious hoof and flash hither and thither the flaming arrows of thy
glance. Thou art foredoomed, and wilt fall as surely after brave
struggle as thy mate, less eager for the strife, who has to be pricked
up to anger, and drops at last bewildered amid the derision of the
crowd. That is where I find fault with the sport. Toro who shows good
fight should get his respite, like the Roman gladiator who pleased the
multitude.
Still, is his fate to be deplored? Confess, is it not rather to be
envied? He gives up his vital principle in the rapture of battle; he
feels no wound but the grievous one to the combatant that he can beat
down no more foes; he yields breath with a bold front; there is threat
in his agony as he sinks, still with challenge in his port, amid the
applause of admiring thousands. There is something of martyr-heroism in
this ending. It is grander, nobler, happier than to fall by the
butcher's plebeian mallet in the slaughter-house, or to succumb to the
slow miseries of rinderpest. Whoso denies it will downface me next that
it is fitter for the warrior to die of podagra in a four-post bed than
to perish on the field with harness on his back--that dropsy at St.
Helena was more to be coveted than a bullet at Waterloo!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account