Rome is set in the _campagna romana_. The strange beauty of this "Roman country," the birth country of the Latin League, assails the very doors of the Roman citizen, intruding its poetry, its stillness, from point after point of vantage, causing the beholder to lead every now and then a sort of dual existence, to lose his sense of time and place and personality, and with his feet planted in the city which was once the hub of the world to find himself dreaming in a cloister garden. The atmosphere, the combination of colour and light, is characteristically Roman, it suggests what is mystic but never fails in perfect clearness. With its mystic blues, its blue-greens, its silence, its vastness, the campagna presents none of the features of the _pays riant_ of Florence where little olive-crowned hills, so cared for, so laughing, convey a message like its history definite, homogeneous, cultured, charming. But here a dead city has been besieged day and night by a dead campagna, big with its speech of silence, untilled yet a cradle of civilisation, with the complex language suited to a more difficult message, not entering into your humour but taking you into its secret, beautiful, austere, massive and careless of little things, yet yielding you out of its rich secular treasure details of beauty in abundance--here before you lies a history, a power, heedless of your judgment, but century after century looking back at you [Greek: meidiasais' athanato prosopo], as one of the finest lines in Greek verse says of Aphrodite, and recreating your universe for you.